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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

10 reasons to choose Public over Private Clouds

June 3, 2013, 11:17 AM

http://aframe.com/blog/2013/06/03/buy-or-build-10-...

It's fair to say there have been enough arguments about the pros and cons of cloud computing to make a gripping episode of the Jeremy Kyle Show. We'd certainly tune in to that one! If you've finally realised the benefits (what took you so long?!), your next question is likely...

New price plan to make it easier for video pros on

June 3, 2013, 11:17 AM

http://www.screenlight.tv/blog/2013/03/26/new-pric...

We like talking with video pros — editors, producers, VFX shops, colorists, distributors, pretty much anyone working with digital video. Doing so has allowed us to get an idea of both the diversity of...

Mobile Drive Mg

June 3, 2013, 11:17 AM

http://splicevine.com/mobile-drive-mg/

At just 7mm the Freecom Mobile Drive Mg is the thinnest mobile hard drive available in the world. I'm a big fan of G-Tech drives because not only do they look like my Mac (tower) they perform very well. However, ...

Big ROI: GeForce GTX 680 Mac Edition

June 3, 2013, 11:13 AM

http://feedproxy.google.com/~r/editcellar/~3/McRPO...

As with all reviews on this site, I have no relationship whatsoever with the following vendor, except that...

Financial Tips for Creative Professionals

June 3, 2013, 11:13 AM

http://www.premiumbeat.com/blog/financial-tips-for...

Are you a creative professional looking to maximize your earnings? In this post we share a few tips for taking control of your finances that are essential for growing your creative business!

Together or Apart, Organizing the Fusion of Style

June 3, 2013, 11:13 AM

http://provideocoalition.com/avanhurkman/story/tog...

In this week's "Answers Occasionally Given," I tackle a question about efficient scene balancing workflow; whether it's better to apply stylistic adjustments as part of one's initial grade, or separately.

5 Dollars off London SuperMeet tickets

June 3, 2013, 11:09 AM

http://alex4d.wordpress.com/2013/06/03/5-off-londo...

Following on from my post about the London SuperMeet, the organisers have kindly offered me a discount code which you can use to save 5 Dollars on advance tickets.

Tweets of the week - 31 May 2013

June 3, 2013, 11:05 AM

http://aframe.com/blog/2013/06/03/tweets-of-the-we...

Better late than never, here's our pick of the web from last week. Consider it a special Monday treat...

This is what editing feels like.

June 3, 2013, 11:05 AM

http://mediastorm.com/blog/2013/06/03/this-is-what...

You are alone in a dark room. Across the floor are the scattered pieces of three or four or five floor lamps. You don’t know how many. There are screws and bulbs and fixtures mixed together. You try not to panic as you feel your way across the floor in search of these pieces.

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