It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 19, 2017, 09:52 AM
https://edaeditores.org/premio-eda-a-mejor-montaje...
Se entregó el premio EDA a Mejor Montaje en la competencia oficial del Festival Tucuman Cine Gerardo Vallejo. El premio fue una placa de distinción y un ejemplar del libro a Entre cortes. Conversaciones con montajistas de Argentina. Ganó el premio la montajista Valería Hernández, por su trabajo en el film chileno Mala Junta. El […]
October 19, 2017, 09:51 AM
http://www.artofvfx.com/kingsman-the-golden-circle...
Angus Bickerton is working in visual effects for over 30 years, including about 20 years as a VFX supervisor. He has worked on LOST IN SPACE, BAND OF BROTHERS, THE HITCHHIKER’S GUIDE TO THE GALAXY, TOTAL RECALL and THE MONUMENTS MEN.
October 19, 2017, 09:51 AM
https://blogs.creativecow.net/blog/14731/day-1-at-...
This is my first MAX, and I naively looked at the map and my schedule and said "ah, this will be easy. It's like a fraction of the size NAB is, so I won't die!"
October 19, 2017, 05:06 AM
http://www.artofvfx.com/my-cousin-rachel-vfx-break...
Have a look at the invisible work of Union VFX for MY COUSIN RACHEL...
October 19, 2017, 05:06 AM
http://www.hollywoodreporter.com/news/how-irelands...
If you're in L.A. or London and you close your eyes and think about Ireland, you don't necessarily think about visual effects," says Jim Duggan, managing director of Dublin-based postproduction house Screen Scene. "You think about green fields and castles and locations." While the country's lush scenery may always remain the top draw, its growing post and VFX offerings are beginning to grab the world's attention. Screen Scene has worked on Game of Thrones since the first season (on which it did ...
October 18, 2017, 09:27 AM
http://blogs.adobe.com/creative/we-heard-you-3-use...
In the latest release of Illustrator, we’ve made numerous updates to improve your experience. Visit our release notes for a detailed rundown of all the additions with the latest release, but we’re most excited about user-requested improvements in three key areas: zoom to selection, asset export, and scripts. Zoom to Selection — or to Centre In the previous Illustrator release, we added the ability to zoom directly into your selected object. We’ve heard from some users on User Voice...
October 18, 2017, 09:27 AM
http://blogs.adobe.com/creative/what-you-can-do-wi...
The latest release of Illustrator CC supports variable fonts, an OpenType font format that offers typeface personalisation, which might include properties such as weight, width, slant, and optical size, to name a few. As more font foundries and typographers adopt this technology, you should see more and more variable fonts available to you in the future. In the meantime, with the latest release of Illustrator, we have packaged a few variable fonts for you to try. The following variable fon...
October 18, 2017, 05:21 AM
http://feedproxy.google.com/~r/industryhappenings/...
Source: News: Blue Collar Post Collective (BCPC) to Present Solutions for Diversity Programs at SMPTE Technical Conference
October 17, 2017, 10:22 AM
https://cuttingroomtales.wordpress.com/2017/10/17/...
Invisible vs. high-profile editing I started in the cutting room at an exciting time for editing. The high-octane style popularised by music videos shown on MTV and made possible by editing on computer rather than on celluloid, was starting to filter through to feature films. In some cases it led to the sort of … Continue reading →
October 17, 2017, 09:20 AM
http://www.artofvfx.com/it-kendrick-wallace-produc...
In more than 20 years, Kendrick Wallace has produced the effects of many projects such as MAX PAYNE, THE A-TEAM, ABRAHAM LINCOLN: VAMPIRE HUNTER or INTO THE WOODS. He talks to us today about his work on IT.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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