It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 17, 2017, 04:47 AM
http://www.postmagazine.com/Press-Center/Daily-New...
CHICAGO — NoiseFloor Ltd. (noise-floor.com) recently completed post sound services for Let’s Play Two, a new film that highlights Pearl Jam’s live performances at Wrigley Field on August 20th and August 22nd of 2016. The hometown Chicago Cubs had a thrilling season last year, ultimately winning their long elusive World Series championship.
October 17, 2017, 04:46 AM
http://www.artofvfx.com/the-fate-of-the-furious-vf...
Pixomondo presents their work on THE FATE OF THE FURIOUS in this short VFX Breakdown...
October 16, 2017, 09:49 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — VFX supervisor Nick Davis has joined the team at MPC Film. He brings 27 years of experience working behind the camera on more than 20 major feature films, including The Fugitive, Batman Forever, Harry Potter and the Chamber of Secrets, Clash of the Titans, Edge of Tomorrow and King Arthur: Legend of the Sword. His work on Christopher Nolan’s The Dark Knight earned an Academy Award nomination.
October 16, 2017, 06:24 AM
http://designingsound.org/2017/10/sunday-sound-tho...
“As has come before; many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span…Please bare with us as we traverse the abstract canals of audio musings.” […]
October 16, 2017, 06:23 AM
http://www.artofvfx.com/shadow-of-war-friend-or-fo...
Check out this VFX Breakdown about the work of MPC on SHADOW OF WAR “Friend or Foe”...
October 15, 2017, 04:30 PM
https://digitalfilms.wordpress.com/2017/10/15/spee...
Script-based video editing started with Ediflex. But, it really came into its own when Avid created script integration as a way to cut dialogue-driven stories, like feature films, in Media Composer. The key ingredient is a written script or a transcription of the spoken audio. This is easy with a feature that’s been acted according […]
October 15, 2017, 04:30 PM
https://edaeditores.org/se-presento-el-libro-entre...
Se realizó la presentación del libro “Entre cortes. Conversaciones con montajistas de Argentina en Cordoba en el marco de Cortópolis 2017 Contamos con la presencia de la montajista Alejandra Almirón (EDA), editora de los documentales “La chica del sur”, “Los rubios” y “Yo no sé qué me han hecho tus ojos” entre otros. También expusieron […]
October 13, 2017, 03:52 PM
https://blogs.creativecow.net/blog/14729/power-dyn...
If you’re anywhere near Hollywood this week, you’ve got a hot take on Harvey Weinstein. I’ve only been here a few years, exclusively “below the line”, and I heard all the rumors too. I dreaded ever having even secondhand contact with the man and his company: a powerful star maker with the ability to squash any career he chose, a blatant chauvinist, and an indecent human being whose participation in the entertainment industry seemed immoveable.
October 12, 2017, 12:10 PM
http://www.studiodaily.com/2017/10/synth-sounds-bl...
Using a variety of instruments and techniques, Reverb.com’s Justin DeLay walks viewers through the layers of synts in the Vangelis score for the original Blade Runner. Be sure to read the YouTube comments for additional discussion centered on getting closer to that vintage Vangelis synth sound. The post The Synth Sounds of Blade Runner appeared first on Studio Daily.
October 12, 2017, 05:44 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
Lightning strikes. The organ clangs. A long-faced, ball-capped man rises into the frame, his eyes bulging and his head trembling in fright. For the next two minutes and 20 seconds, this man’s impossibly elastic face – framed in close-ups as intimate as The Passion of Joan of Arc – will embody a spectrum of emotions: arrogance, befuddlement, trepidation, distaste, and deep, primal fear. In Sunset Boulevard, the faded silent queen Norma Desmond says, “We didn’t need dialogue – we h...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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