It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 4, 2013, 04:53 AM
http://www.creativeimpatience.com/nab-special-rele...
My post with speculations for what's coming in the next release of Premiere Pro turned out to be one of the most popular articles I've ever written. I'm happy to say that out of the little screenshot I got quite a few things right - and a few things wrong...
April 4, 2013, 04:52 AM
http://provideocoalition.com/cmg_keyframes/story/a...
On the heels of their Refine Edge sneak peek last week and just a few days before NAB, Adobe is releasing more information about some of the cool technology we may see in the next generation of their other pro video tools...
April 4, 2013, 04:52 AM
http://www.creativeimpatience.com/nab-special-spee...
Today at NAB Adobe revealed the next version of their video tools. From my perspective, the most interesting developments happened on the Premiere Pro front, and the next note will deal exactly with that. As of now, let's take a look at another promising part of the suite the...
April 4, 2013, 04:52 AM
http://provideocoalition.com/ssimmons/story/an-ear...
With NAB 2013 just around the corner it should come as no surprise that Adobe has let their cat out of the bag by letting the world get a sneak peek at what's coming in the next version quite a few of the Creative Suite applications that many video pros depend on. Premiere Pro...
April 4, 2013, 04:47 AM
http://www.fcpxland.com/nab-show-2013-3786/
What Do You Want to See at NAB Show 2013?
April 3, 2013, 05:30 PM
http://adamtheeditor.blogspot.com/2013/04/nab-surv...
NAB Survival Guide (Updated 2013)This is an updated/revised version of my Survival guide post from NAB 2012 April has finally arrived which means it's time to get your NAB groove onHeld annually in Las Vegas...
April 3, 2013, 02:16 PM
http://provideocoalition.com/mchristiansen/story/h...
Yes, it literlly caught fire... This is the story of one man’s experience assembling and running a Hackintosh. For anyone unaware of this illicit, but not yet forbidden alternative to the Mac Pro and altnerative systems from Apple, it is a custom-built computer - one which would...
April 3, 2013, 02:14 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
On Saturday evening, January 12, the Los Angeles Film Critics Association (LAFCA) presented its 38th Annual Awards at a gala dinner at the Intercontinental Hotel in Century City. Post-production personnel attending the celebration had a special reason to celebrate this event as LAFCA premiered its award for the year’s Best Editing. Sharing LAFCA’s first Best Editing award were Dylan Tichenor, A.C.E., and William Goldenberg, A.C.E., for their work on Kathryn Bigelow’s controversial Zero Dar...
April 3, 2013, 02:13 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
Lawrence Silk, A.C.E., links his interest in documentaries to an early social consciousness, derived in part from his parents. As a teenager, Silk’s father had guided Eugene Debs through factories near Pittsburgh and, when they moved from Detroit to New York’s Washington Heights, Silk was well aware of the plight of the German Jewish refugees from the war, who were his classmates.
April 3, 2013, 02:13 PM
https://www.editorsguild.com/magazine.cfm?ArticleI...
MagazineAutodesk’s Smoke has long been known for high-end finishing and effects, as does its higher-end cousin Flame, which is widely used for real-time color grading, compositing and visual effects on films like Iron Man 2 and Harry Potter and the Deathly Hollows, as well as numerous television productions and commercials.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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