It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 24, 2020, 10:49 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
If there’s a pithy phrase that can be applied to title designer Nina Saxon’s career perhaps it’s Always be hustling.As Part One of our career retrospective discusses, Saxon started out as a visual effects artist on Star Wars (1977) and then spent the ’80s in a state of near-constant hustle, launching what was to become a 40-year career as a designer of memorable film and TV title sequences. With iconic work for box office hits Romancing the Stone (1984) and Back to the Future (1985),...
February 22, 2020, 04:05 PM
https://www.redsharknews.com/post/item/7009-red-gi...
Red Giant Universe is a subscription-based suite of plugins for video editors and filmmakers, which includes motion graphics, image stylizer effects, transitions, text generators, and more. It’s all GPU-accelerated, and supports a host of NLEs and Motion Graphics programs. Red Giant has released Universe 3.2, which comes with five new tools, an updated one, and 100+ presets to help enhance video and film projects further. Let’s dive in. Red Giant Universe 32VFXGFXSFXSpecial effectspos...
February 22, 2020, 04:04 PM
http://www.fcp.co/final-cut-pro/news/2241-use-fals...
Pro Color Monitor is a new standalone app that allows an editor to use false colour in a video or photo editing application. The false colour shows which way the color correction controls should be adjusted to remove casts for a perfect white balance.
February 22, 2020, 04:04 PM
http://www.fcp.co/final-cut-pro/news/2242-ios-vide...
Popular iOS editing app LumaFusion from Luma Touch has added FCPX XML export, which means projects can be transferred to Final Cut Pro X in seconds.
February 22, 2020, 04:04 PM
http://www.fcp.co/final-cut-pro/articles/2243-fina...
The real growth in production today is not at Hollywood studios or the creation of new broadcast channels, it's online. Digital studio Kin publishes hundreds of videos yearly. With over 5M followers and 15 million monthly views, Final Cut Pro X is the NLE that's allowed them to achieve such a prolific output.
February 22, 2020, 04:03 PM
https://digitalfilms.wordpress.com/2020/02/21/vide...
Shared storage used to be the domain of “heavy iron” facilities with Avid, Facilis, and earlier Apple Xserve systems providing the horsepower. Thanks to advances in networking and Ethernet technology, shared storage is accessible to any user. Whether built-in or via adapters, modern computers can tap into 1Gbps, 10Gbps, and even higher, networking speeds. Most […]
February 22, 2020, 04:03 PM
https://www.provideocoalition.com/new-for-nab-2020...
With all the discussion going on about 8K, this year’s edition of NAB Show has a new option for those who like to be at the forefront: a new 8K...
February 22, 2020, 04:02 PM
http://manhattaneditworkshop.blogspot.com/2020/02/...
From our 2019 Sight, Sound & Story Post Production Summit - Editor Kate Sanford ACE, discusses how she brought out the passion of the Fosse/Verdon cast by intercutting three scenes that were not originally planned to be intercut. Kate Sanford, ACE, is a feature film and television editor whose most recent project is the upcoming just released miniseries Fosse/Verdon. She recently completed the first two seasons of "The Marvelous Mrs. Maisel" and won the ACE award for best-edited comedy....
February 21, 2020, 01:42 PM
https://www.redsharknews.com/production/item/6999-...
Filmmaker and director James Tonkin shares learnings from his recent experience shooting and editing a concert and documentary for Pink Floyd drummer, Nick Mason. Davinci ResolveNick MasonPink FloydHangman FilmsBlackmagic Design
February 21, 2020, 01:41 PM
https://www.redsharknews.com/technology/item/7001-...
Samsung’s new ISOCELL Bright HM1 chip delivers 108MP pictures and 8K videos at 24fps even under extreme lighting conditions. SamsungOSOCELL Bright HM1Samsung Galaxy S20 UltraXiaomi CC9 ProMWC
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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