It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 25, 2017, 04:36 AM
http://saeditores.org/Novedades/Marcela-Truglio-SA...
Marcela Truglio (SAE) y Hernán Garbarino (SAE) recibieron sendos Premios al Mejor Montaje en la 5ª edición del Festival Audiovisual de Bariloche, que se celebró en esa ciudad patagónica entre el 18 y el 24 de septiembre.
September 25, 2017, 04:36 AM
https://edaeditores.org/se-realizo-la-charla-la-mu...
Se llevó a cabo el encuentro “La mujer y el montaje” donde tres referentes generacionales debatieron acerca de nuestra historia como mujeres montajistas, reflexionando sobre las problemáticas actuales y cuál es el camino para acortar la brecha de género y alcanzar una mayor igualdad, organizado por la Comisión de Cultura de EDA. La actividad dio […]
September 24, 2017, 05:54 PM
http://www.fcp.co/final-cut-pro/articles/2001-the-...
Later on in the day (for those of us on the east of the puddle) we will see the availability of the latest macOS High Sierra. We all like upgrades, are there any things we should know first? (Slight hint-yes)
September 24, 2017, 05:53 PM
http://designingsound.org/2017/09/sunday-sound-tho...
As has come before; many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span…Please bare with us as we traverse the abstract canals of audio musings. […]
September 24, 2017, 05:53 PM
https://edaeditores.org/comunicado-de-la-multisect...
Todos los caminos del INCAA conducen a la devaluación del Cine ArgentinoSin tener intención alguna de mejorar la grave situación de producción, distribución y comercialización a la que ha llegado el cine argentino, por el contrario, la actual administración del INCAA parece querer profundizar la devaluación del prestigio que supo tener desde su creación el […]
September 24, 2017, 05:13 AM
http://designingsound.org/2017/09/boomboxpost-unfi...
BoomBoxPost recently published a comprehensive review of Unfiltered Audio’s new Spectral Processor Plugin SpecOps. You can read the full article here.
September 24, 2017, 05:13 AM
http://www.karenschmeer.com/blog/2017/9/23/enter-t...
This is the third (!!!) edition of the POV Blog's Enter the Edit series exploring the regrettably underappreciated process and craft of documentary editors. Which Way Is The Front Line From Here: The Life and Time of Tim Hetherington. Photo credit: HBO Maya Mumma most recently ed...
September 23, 2017, 03:34 PM
https://digitalfilms.wordpress.com/2017/09/23/a-li...
When I started video editing, the norm was an edit suite with three large quadraplex (2”) videotape recorders, video switcher, audio mixer, B&W graphics camera(s) for titles, and a computer-assisted, timecode-based edit controller. This was generally considered an “online edit suite”, but in many markets, this was both “offline” (creative cutting) and “online” (finishing). Not […]
September 23, 2017, 08:36 AM
https://www.provideocoalition.com/art-cut-eddie-ha...
This is Art of the Cut’s second interview with Eddie Hamilton, ACE. The first one was about Mission: Impossible – Rogue Nation. Hamilton’s other previous work includes co-editing Kick-Ass with Oscar-winner, Pietro Scalia, ACE, and editing X-Men: First Class among many others.
September 22, 2017, 04:20 PM
http://www.digitalproductionbuzz.com/2017/09/trans...
HOST Larry Jordan GUESTS Terry Hope, Editor, Pro Moviemaker Magazine, Bright Publishing Laura Williams-Argilla, Director of Project Management for Creative Cloud Video, Adobe Bryce Button, Director, Product Marketing, AJA Video Systems Thomas Burns, CTO Media and Entertainment, Dell EMC Dan May, President, Blackmagic Design, Inc.… The post Transcript: Digital Production Buzz – September 21, 2017 appeared first on Digital Production BuZZ.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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