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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Creative Animation Designs In All-New ready2go AE

February 16, 2013, 10:26 AM

http://provideocoalition.com/news/story/creative-a...

Digital Juice® announced today that it is releasing ready2go™ Projects and Templates for Adobe After Effects® Collection 23. ready2go projects contain animated template graphics that provide After Effects users with a variety of professional finished looks, and feature expertly...

An Eye for Color

February 16, 2013, 10:24 AM

http://www.jimwicks.com/an-eye-for-color/

Like a musician hears music, a Colorist needs to see color. It’s just that simple. You can watch all the tutorials, and learn all the software and hardware that is available. But at the end of the day, if you can’t see color then it is all for nothing.

G-Technology G-DRIVE mini Review (1TB)

February 16, 2013, 10:22 AM

http://www.storagereview.com/gtechnology_gdrive_mi...

The G-Technology G-DRIVE mini is a 1TB portable hard drive designed for Mac users who want an elegant yet rugged enclosure with plenty of connectivity options. The HGST G-Technology brand has long been synonymous with quality, earning a special place in the hearts of Mac users and creative professionals. The G-DRIVE mini does nothing to tarnish that image, providing a combination of performance and capacity with near silent operation.

Emulating old file dyes with the FCPX plugin class

February 15, 2013, 12:45 PM

http://www.fcp.co/final-cut-pro/news/1050-emulatin...

Color Grading Central have released classyLook, a $69 plugin for Final Cut Pro X that not only colour corrects, it also emulates old classic film dye emulsions. We have a 20% off coupon for today only!

HY-FX update their colour correction tool to the n

February 15, 2013, 12:45 PM

http://www.fcp.co/final-cut-pro/news/1049-hy-fx-up...

Jonathan Richards at HY-FX filled a small gap in FCPX functionality with a one click colour cast removal tool called HYColour. Now HyColour Pro moves the plugin into advanced colour correction and looks building.

PluralEyes 3

February 15, 2013, 07:56 AM

http://digitalfilms.wordpress.com/2013/02/15/plura...

The concept of synchronizing clips by sound seems so obvious in retrospect, but when Bruce Sharpe showed his first version of PluralEyes at a small NAB booth, it struck many as nothing short of magic. The first version was designed to sync multiple consumer and prosumer video cameras by aligning their sound tracks in the [...]

MC6.5.2 - Consolidate QuickTime ProRes

February 14, 2013, 07:45 PM

http://community.avid.com/blogs/mediacomposer/arch...

The following is the second in a series of five blog posts from Rob D’Amico, Senior Product Manager for professional film and video editing solutions, which will cover key changes in Media Composer 6.5.2.

Hands on with Rampant Design's Color FX and Screen

February 14, 2013, 03:33 PM

http://www.claygasbury.com/color-fx-for-after-effe...

As an Editor/Designer, I’m always looking for resources that help me make good looking stuff within ever shrinking deadlines Rampant Design makes stock elements, presets, etc. for the working editor/motion designer , and to paraphrase them “we make it simple to look like a rock star”. I previously looked at 3 of their products at [...]The post Hands on with Rampant Design’s Color FX and Screen Damage appeared first on .

Stories I Love: The Third Man

February 14, 2013, 12:44 PM

http://tyler-weaver.com/2013/02/14/stories-i-love-...

In post-World War II streets overflowing with inky shadows, greed, and hapless bureaucracy, pulp novelist Holly Martins (the brilliant Joseph Cotten) arrives in Vienna and promptly gets himself wrapped up in a plot that would rival any of his own novels when he finds that his friend, Harry Lime (Orson Welles at his most charismatic) has died.

Adding subtitles to FCPX and FCP7 timelines with t

February 14, 2013, 09:16 AM

http://www.fcp.co/final-cut-pro/news/1048-adding-s...

SUGARfx have made editor's lives a lot easier by releasing a brand new $49 plugin for the display of subtitles in FCPX and Final Cut Pro 7 timelines. 

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