It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 31, 2020, 04:00 PM
https://www.redsharknews.com/production/item/6948-...
Bait is a modern film shot on a clockwork Bolex camera. A case of artistic license going a little too far? Bolexwindup cameraclockwork bolex
January 31, 2020, 03:59 PM
https://www.redsharknews.com/audio/item/6958-audio...
New audio software will transform the process of making a film soundtrack Sound designAudio postAudio Track LayingAudio Dubbingsound effectsAudio Design Desk
January 31, 2020, 03:58 PM
https://www.provideocoalition.com/lets-edit-with-m...
Well, we’re going to round out our look at creating dailies, or as you might also call them, low res/offline files, by looking at how to create them inside of...
January 31, 2020, 03:58 PM
https://www.provideocoalition.com/audio-design-des...
OK, we’re all a bit tired of this AI story. But believe me, there are good things in AI, and the most recent example comes from Audio Design Desk, which...
January 30, 2020, 02:04 PM
https://www.premiumbeat.com/blog/most-popular-gear...
Take a look at the most rented and purchased gear of 2019, and get a sneak peek at how the trends are looking like for 2020.
January 30, 2020, 02:02 PM
http://www.postmagazine.com/Press-Center/Daily-New...
Scare Me is a new film by writer, director and actor Josh Ruben. The project premiered at Sundance on Friday, January 24th and represents Ruben’s feature directorial debut. The film takes place in the Catskill Mountains during a power outage, where two strangers - Fanny and Fred - tell a series of scary stories. The more they commit to their tales, the more the stories come to life in the dark of the cabin.
January 30, 2020, 02:01 PM
https://postperspective.com/oscar-nominated-jojo-r...
By Daniel Restuccio As an editor, Tom Eagles has done it all. He started his career in New Zealand cutting promos before graduating to assistant editor then editor on television series such as Secret Agent Men and Spartacus. Eventually he connected with up-and-coming director Taika Waititi and has worked with him on the series What We Do in the Shadows and the critically acclaimed feature Hunt for the Wilderpeople. Continue reading → January 29, 2020 The post Oscar-nominated Jojo Rabbit...
January 30, 2020, 02:01 PM
http://www.fcp.co/final-cut-pro/news/2237-arc-x-fo...
It's not very glamorous, but backing up and archiving is essential to not only make sure you can return to a project at a later date, but also to free up space and move media to another drive. The new ARC-X app for FCPX does exactly that with a host of other features to make getting a project back from an archive easy.
January 30, 2020, 01:58 PM
https://postperspective.com/colorist-chat-light-ir...
“As colorists, we are not just responsible for enhancing each individual shot based on the vision of the filmmakers, but also for helping to visually construct an emotional arc over time.” NAME: Ian Vertovec TITLE: Supervising Colorist COMPANY: Light Iron CAN YOU DESCRIBE YOUR ROLE IN THE COMPANY? Continue reading → January 27, 2020 The post Colorist Chat: Light Iron supervising colorist Ian Vertovec appeared first on postPerspective.
January 30, 2020, 01:58 PM
https://postperspective.com/once-upon-a-time-in-ho...
By Beth Marchant To director Quentin Tarantino, sound and music are primal forces in the creation of his idiosyncratic films. Often using his personal music collection to jumpstart his initial writing process and later to set a film’s tone in the opening credits, Tarantino always gives his images a deep, multi-sensory well to swim in. Continue reading → January 27, 2020 The post Wylie Stateman on Once Upon a Time… in Hollywood‘s Oscar nod for sound appeared first on postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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