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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Why Do Filmmakers Color Grade Moonlight to Be Blue

August 25, 2017, 09:57 AM

https://www.premiumbeat.com/blog/why-color-grade-m...

The moon is quite clearly one color, yet filmmakers consistently color its light differently. Find out why, and decide if you should, too.

Soho Editors are proud to announce FCPX World in B

August 25, 2017, 09:57 AM

http://www.fcp.co/final-cut-pro/news/1993-soho-edi...

Soho Editors and Ronny Courtens have teamed up to showcase the strengths of Final Cut Pro X in the broadcast arena, with relevant partners and high-end case studies of real world user experiences from across the globe. Join us as we showcase a range of Final Cut Pro X presentations by international broadcast professionals. All demonstrating the latest tools for the modern editor.

Affinity Photo for iPad

August 25, 2017, 09:57 AM

https://digitalfilms.wordpress.com/2017/08/25/affi...

UK developer Serif has been busy creating a number of Mac, Windows, and now iOS applications that challenge Adobe’s stranglehold on the imaging industry. Newest of these is Affinity Photo for the iPad. As newer iPads become more powerful – starting with the Air 2 and moving into the present with two Pro models – […]

KONG - SKULL ISLAND: Making of by ILM

August 25, 2017, 09:56 AM

http://www.artofvfx.com/kong-skull-island-making-o...

Excellent making of by Industrial Light & Magic about their work on KONG – SKULL ISLAND...

Improve Your Edits with Better Audio in Premiere P

August 25, 2017, 05:19 AM

https://www.premiumbeat.com/blog/audio-track-effec...

Every videographer will need to work with track effects at some point. Here's what you need to know about working with these effects in Premiere Pro.

Avid Complete Plug-In Bundle—Access to the Avid

August 25, 2017, 05:19 AM

http://www.avidblogs.com/avid-complete-plug-bundle...

The article Avid Complete Plug-In Bundle—Access to the Avid AAX Plug-In Collection for Everyone by Ed Gray appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Flowbox VFX Platform releases Rotoscoping v1.5

August 25, 2017, 05:19 AM

https://vfxserbia.com/2017/08/25/flowbox-vfx-platf...

Flowbox, the creator of a node-based VFX platform focused on Rotoscoping, has just released a big update with Advanced Display Settings , LiveQC , and most importantly a long sought after Export to After Effects . The export generates keyframes and animation compatible with the newest AE. Since the release of Rotoscoping 1.0 at the end of 2016, the Flowbox team has been working hard on customer feature requests and optimization.

Field Recording and Immersive Installations

August 25, 2017, 05:18 AM

https://www.asoundeffect.com/immersive-field-recor...

Ever listened to sounds that made you feel like you were right there where they were recorded? Ever walked into a space that stimulated your senses so strongly that you felt instantly transported?

Script Based Editing: Avid’s Untapped Ecosystem

August 25, 2017, 05:18 AM

https://www.provideocoalition.com/script-based-edi...

For the editing of films, TV shows and other videos in the art of narrative storytelling, many if not most editors use the edit system called Avid Media Composer. One of its shining gems is its ability to integrate paper-like scripts right inside of it, using what we call a script-based editing interface. It allows editors to click on words in a film, TV show or documentary’s script and jump right to the corresponding video itself. Scripts or interview transcripts are synced-up manually by an ...

IBC’s Big Screen Sessions to Ask: Can Tech Innov

August 24, 2017, 04:27 PM

http://www.studiodaily.com/2017/08/ibcs-big-screen...

IBC said its conference this year will feature a program called Big Screen, where speakers will discuss innovations in cinema imaging — including cinematic VR, laser projection, and light-field technology — and their business impact on the cinema industry. To host the program, IBC has built out an auditorium with Dolby Vision projection and Dolby […] The post IBC’s Big Screen Sessions to Ask: Can Tech Innovation Save Cinema? appeared first on Studio Daily.

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