Article Humour Video Blog Audio Industry News Site News Tutorial Press Release Events

To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Adobe MAX 2018 Wrap-Up

October 23, 2018, 02:14 PM

https://www.premierebro.com/blog/adobe-max-2018-wr...

Recap Of Adobe MAX 2018 Highlights, Premiere Rush CC And Adobe Sneaks! Catch the best parts of the latest Creative Cloud release, including several Adobe sneak peaks, in this report from the ground at Adobe MAX 2018.

#adobe#premiere pro#premiere#max#premiere rush
Refuge in the Heartland: A Case Study in Shared Wo

October 22, 2018, 08:51 AM

http://www.fcp.co/final-cut-pro/articles/2121-refu...

Rusty Earl returns to FCP.co with another great Final Cut Pro X user story. This time, a story made with a shared workflow with student editors. How did it work and how did they get around project slow downs?

Solutions to Resolve Part 3: Unexpected clipping w

October 22, 2018, 04:36 AM

https://www.provideocoalition.com/solutions-to-res...

One of the great features of Resolve is that it works in 32bit float. This means that it can cope with a virtually limitless dynamic range, and, most importantly, it will conserve that range however much you raise or lower the video levels from one node to another.

The Keys to Finding a Compatible Editor

October 22, 2018, 04:35 AM

https://www.moviemaker.com/archives/moviemaking/ed...

What every helmer needs from an editor is "great taste, a sense of timing," and someone who "accentuates the poetry of your story by creating an associative flow," says Beautiful Boy writer-director Felix Van Groeningen.

The Reality About Failure In Hollywood by Jeffrey

October 21, 2018, 07:31 AM

http://filmcourage.com/2018/10/20/the-reality-abou...

Film Courage: You said something earlier on writing something which you are precious about, that at some point there is a letting go process knowing once it’s out of your hands it may be changed?

Adobe launches Premiere Rush CC for social video

October 20, 2018, 02:41 PM

https://postperspective.com/adobe-launches-premier...

At the Adobe Max Creativity Conference, Adobe introduced Adobe Premiere Rush CC, the first all-in-one video editing app for social media creators that simplifies video creation and sharing on platforms such as YouTube and Instagram. Designed specifically for online video creators, Premiere Rush CC integrates capture, intuitive editing, simplified color, audio and motion graphics with seamless publishing to leading social platforms, Continue reading → October 20, 2018 The post Adobe laun...

Oscar-winner, William Goldenberg Interview

October 19, 2018, 12:10 PM

https://www.provideocoalition.com/aotc-goldenberg-...

William Goldenberg, ACE, won Oscars for editing Zero Dark Thirty (with Dylan Tichenor, ACE) and for Argo. He received additional Oscar nominations and ACE Eddies for Seabiscuit, The Insider and The Imitation Game. His filmography also includes editing Concussion, Unbroken, Transformers: Age of Extinction, and National Treasure among many others.

Acclaimed Editor Tim Streeto, ACE, joins Our Next

October 19, 2018, 12:10 PM

http://manhattaneditworkshop.blogspot.com/2018/10/...

MEWShop proudly announces that television & film editor Tim Streeto, ACE,  will join our November/December 2018 Six Week Intensive.Tim Streeto, ACE is a film and television editor whose recent credits include Netflix’s Maniac, Amazon’s The Marvelous Mrs. Maisel, Director Marc Webb’s  The Only Living Boy in New York, HBO's series Vinyl, WeTV's South of Hell, the Emmy-winning Boardwalk Empire, NBC’s Crossbones, and Noah Baumbach's acclaimed feature films Frances Ha, Greenberg, a...

Week in Premiere 10/19/18

October 19, 2018, 09:39 AM

https://www.premierebro.com/weekinpr/week-in-premi...

PREMIERE PRO WEEK IN REVIEW: Premiere Pro CC 2019 Highlights and New Features • Adobe Releases Premiere Rush CC • First Premiere Pro CC 2019 and Premiere Rush CC Tutorials • FREE Stuff: Making Mogrts eBook, 21 Mogrt Templates, & More!

#adobe#premiere pro#premiere#rush#2019
La SAE entregará el Premio al Mejor Montaje en el

October 19, 2018, 05:38 AM

http://saeditores.org/Novedades/La-SAE-entregara-e...

La SAE entregará el Premio al Mejor Montaje en el 16˚ Festival Nacional de Cine de Tandil, que se llevará a cabo entre el 19 y el 26 de octubre dicha ciudad de la provincia de Buenos Aires. El jurado, integrado por María Astrauskas, Martín Senderowicz (SAE) y Santiago Parysow (SAE), elegirá al ganador entre las películas argentinas de la Competencia Oficial de Largometrajes.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.