It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 3, 2014, 01:23 PM
http://designingsound.org/2014/10/sfx-independence...
Part 2 of our September roundup comes a little late (Part 1 is here in case you missed it), but there’s plenty of interesting and unusual independent sound libraries to be found here. And don’t forget, if you’ve got a recently-released sample library that you’d like to be considered for inclusion, use the Independent SFX submission form to tell us about it!
October 3, 2014, 01:22 PM
http://www.artofvfx.com/?p=9516
Nvizible have just released an updated version of their showreel featuring their work on EDGE OF TOMORROW and more (click on the picture to watch it):
October 3, 2014, 01:22 PM
http://www.indiewire.com/article/how-to-make-a-mon...
Making a monster is no walk in the park. In fact, Making an army of monsters that brutally kill a town of people in a no-budget creature feature is just downright nutso. But if you're of my school of thought, sometimes nutso is the only way to fly. I like to do things practically, without dependence on CGI.
October 3, 2014, 04:19 AM
http://behindvfx.com/post/99025097030/behind-vfx-v...
Fall is here and at the movies that means it is a time for horror (“Annabelle,” “Ouija”), thrills (“Gone Girl,” “Nightcrawler”), drama (“The Judge,” “Whiplash”) and action (“Dracula Untold,” “Fury”). There’s tons of diversity coming to theaters this month. Here is our pick of the films we look forward to see in October.
October 2, 2014, 02:12 PM
http://provideocoalition.com/ryoung/story/after-ef...
Andrew Kramer presented the keynote at the 2014 After Effects World conference and will make it available on Video Copilot. It was edited using the multi-camera workflow in Premiere Pro CC.
October 2, 2014, 02:12 PM
http://kyleesportfolio.com/blog/?p=1736
A break from regularly scheduled blogging and writing to bring attention to a fundraising campaign for a critically injured Los Angeles-based VFX artist, Michael Scott. According to the page, he was hit by a car that jumped the curb a … Continue reading →
October 2, 2014, 02:10 PM
http://www.premiumbeat.com/blog/why-you-should-car...
Blackmagic Design as acquired high-end compositing and effects app Eyeon Fusion, marking their entrance into another segment of film/video production.
October 1, 2014, 04:47 PM
http://www.fxphd.com/news/join-the-october-2014-te...
The new October term is now open here at fxphd! Once again we have made a special effort to deliver on requests for our members.
October 1, 2014, 09:36 AM
http://www.3dtotal.com/index_interviews_detailed.p...
I first discovered my interest for visual effects when I was around 7, and I got given Shrek 2 on DVD for a gift; I remember watching the documentary 'The Tech of Shrek 2' and seeing how the film was made, seeing how many people it took to make the film, seeing the amount of computers – but the best thing was seeing the Playblasts and Breakdowns on the artists Computer screens! At 7 I did not understand it very well at all. But that's what sparked my interest.
September 30, 2014, 12:32 PM
http://provideocoalition.com/jantunes/story/intels...
Intel's new consumer processor is not on the same league as their Xeon chips, those used in workstations, but the Haswell-E is the fastest processor many working videographers may need, at a much lower price than the Xeon costs. Recent tests show results that may surprise everybody. The entry level processor costs close to $400.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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