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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

CAS Present the 54th CAS Awards - Complete Winners

February 25, 2018, 06:34 AM

http://soundworkscollection.com/news/cinema-audio-...

The Cinema Audio Society Award for Outstanding Sound Mixing Motion Picture - Live Action was presented to the sound mixing team from “Dunkirk” of Mark Weingarten CAS, Gregg Landaker, Gary Rizzo CAS, Alan Meyerson CAS, Thomas J. O’Connell and Scott Curtis.

Skywalker’s Michael Semanick: Mixing SFX for Sta

February 21, 2018, 02:48 PM

http://postperspective.com/skywalkers-michael-sema...

By Jennifer Walden Oscar-winning re-recording mixer Michael Semanick from Skywalker Sound mixed the sound effects, Foley and backgrounds on Star Wars: The Last Jedi, which has earned an Oscar nomination for Sound Mixing. Technically, this is not Semanick’s first experience with the Star Wars franchise — he’s credited as an additional mixer on Rogue One — but on The Last Jedi he was a key figure in fine-tuning the film’s soundtrack. Continue reading → February 21, 2018 The pos...

65th MPSE Golden Reel Awards Winners Announced

February 20, 2018, 06:32 AM

http://designingsound.org/2018/02/65th-mpse-golden...

The 65th MPSE Golden Reel Awards Winners have been announced. The career achievement award goes to Field Recordist John P. Fasal and the annual MPSE Filmmaker Award to Director Kathryn Bigelow. For a complete list of winners visit the official page.

Smart Post Sound Signs On As After Party Sponsor F

February 18, 2018, 05:32 PM

http://www.btlnews.com/blog-the-line/smart-post-so...

    From the complex, thirty-five year family dynamics that fuel the Pearson children in ABC’s “This Is Us,” to the superpowers forged in the schizophrenic mind of David Haller (Dan Stevens) in FX’s Legion, Smart Post Sound has paved the audio path for these, and many other critically acclaimed entities. This year, they’re taking […] The post Smart Post Sound Signs On As After Party Sponsor For 54th CAS Awards appeared first on Below the Line.

Super Bowl: Sound Lounge’s audio post for Pepsi,

February 15, 2018, 08:06 PM

http://postperspective.com/super-bowl-sound-lounge...

By Jennifer Walden Super Bowl Sunday is an unofficial national holiday in this country, with almost as much excitement for the commercials that air as for the actual game. And regardless of which teams are playing, New York’s advertising and post communities find themselves celebrating, because they know the work they are providing will be seen by millions and talked about repeatedly in offices and on social media. Continue reading → February 15, 2018 The post Super Bowl: Sound Lounge...

Super Bowl: Sound Lounge’s audio post for Pespi,

February 15, 2018, 01:26 PM

http://postperspective.com/super-bowl-sound-lounge...

By Jennifer Walden Super Bowl Sunday is an unofficial national holiday in this country, with almost as much excitement for the commercials that air as for the actual game. And regardless of which teams are playing, New York’s advertising and post communities find themselves celebrating, because they know the work they are providing will be seen by millions and talked about repeatedly in offices and on social media. Continue reading → February 15, 2018 The post Super Bowl: Sound Lounge...

Growth and Guidance: An Interview with Steven Gree

February 15, 2018, 01:26 PM

http://designingsound.org/2018/02/growth-and-guida...

This is a guest interview submission with Steven Green, a sound designer based in the Bay-Area. It was conducted by Los Angeles sound designer Colin Andrew Grant. Since graduating from Michigan Technical University in 2014, Steven Green has been kept busy with a steady stream of work. Despite the fact that he still considers himself a […]

A Conversation With 'Early Man' Composer Tom Howe

February 15, 2018, 01:26 PM

https://filmschoolrejects.com/conversation-early-m...

Often the unsung heroes of the filmmaking business, composers can really help a film reach its full potential. Tom Howe is a composer whose most recent work includes scoring for Professor Marston and the Wonder Women, as well as the newest Aardman Animation film Early Man. His past credits also include Wonder Woman, The Legend of Tarzan, and The Great British Bake-Off.

Remembering Jóhann Jóhannsson, Visionary Film Co

February 14, 2018, 01:19 PM

https://filmschoolrejects.com/remembering-johann-j...

’d first knowingly heard Icelandic composer Jóhann Jóhannsson‘s work in Denis Villeneuve’s Arrival, in which the score is characterized by a low, rumbling din and staccato vocalizations that, fittingly, sound altogether alien to the ears.

Oscar Nominated Sound Designers Theo Green & Mark

February 13, 2018, 10:30 AM

http://www.btlnews.com/blog-the-line/sound-designe...

For director Denis Villeneuve’s Blade Runner 2049, sound designers Theo Green and Mark Mangini relished the challenge of creating the film’s soundtrack without the use of any off-the-shelf effects. The director tasked them to “compose with sound.” Everything heard in the film’s universe was “created from whole cloth” by sound designers and sound editors. “Theo […] The post Oscar Nominated Sound Designers Theo Green & Mark Mangini – Blade Runner 2049 appeared first on Bel...

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