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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Recording animal sound effects with Ann Kroeber

February 7, 2018, 10:52 AM

http://www.prosoundeffects.com/blog/recording-anim...

Get insight on the methods used by one of the most accomplished animal recordists in film and game audio, Ann Kroeber. Layering animal sound effects is a common sound design trick. An elephant screech famously contributes to the classic Star Wars® TIE Fighter sound, roaring lions are tucked into revving ... The post Recording animal sound effects with Ann Kroeber appeared first on Pro Sound Effects Library.

Film Doctor: Conversation With Sound Designer Theo

February 5, 2018, 03:26 PM

http://designingsound.org/2018/02/film-doctor-conv...

Film Doctor UK has recently published an extensive interview featuring BAFTA and Oscar nominated Sound Designer Theo Green. From the iconic blaster to the Elvis scene, Theo Green goes into great detail about the creative process creating the soundscape for Blade Runners 2049. You can read the full article here.    

What Hans Zimmer Thought About Pirates Of The Cari

February 3, 2018, 08:45 AM

https://www.cinemablend.com/news/2306211/what-hans...

While the Pirates of the Caribbean series isn't one of the more critically acclaimed film franchises, the first movie, The Curse of the Black Pearl, is still an enjoyable standalone movie adapted that capitalized nicely on the Disneyland attraction.

Pro Sound Effects Stallion Library

February 1, 2018, 11:09 AM

https://news.creativecow.net/story/891916

(Brooklyn, NY--February 1, 2018) Pro Sound Effects®, the next level sound effects library company, has released Stallion - the third exclusive library from their partnership with renowned recordist and film sound pioneer, Ann Kroeber. Stallion features an incredible variety of charismatic horse sound effects from thunderous gallops to subtle breaths and expressive vocalizations.

Monthly Theme: Synthesis

February 1, 2018, 08:08 AM

http://designingsound.org/2018/02/monthly-theme-sy...

  Synthesis is a vast of possibilities. It allows us to create sound, destroy it, and morph seamlessly between the two. From building up sine wave oscillators through the classic form of Aggregate Synthesis, called Additive Synthesis, to using granular synthesis to bend speed, pitch and format, these algorithms can produce an almost staggering breadth […]

Review: K-Tek Airo Audio Gear

January 31, 2018, 05:45 AM

http://www.studiodaily.com/2018/01/review-k-tek-ai...

It’s a truism of the filmmaking craft: Audiences will tolerate bad picture but never bad sound. And so it is that many shooters, especially in the nonfiction world, must also capture the best sound possible, if no other reason that better sound produces better-looking pictures. Audiences judge the professionalism of a production by the quality […] The post Review: K-Tek Airo Audio Gear appeared first on Studio Daily.

Recording the Sounds of Disappearing Glaciers

January 30, 2018, 06:26 AM

https://www.asoundeffect.com/glacier-sound-recordi...

Philadelphia-based field recordist Thomas Rex Beverly has created four impressive libraries, capturing the rich sounds of Montana's Glacier National Park. Here's the story behind his recording adventures in the Rocky Mountains...

GDC CarouselCon 2018

January 29, 2018, 06:08 PM

http://designingsound.org/2018/01/gdc-carouselcon-...

Matthew Marteinsson (Klei Interactive) just announced the details for the 2nd installment of CarouselCon, a gameaudio community event featuring crowd sourced micro talks/presentations during lunch breaks at GDC. For further details, location and how to get involved read the full announcement here.

Introducing Avid Pro Tools 2018

January 25, 2018, 07:59 PM

http://www.avidblogs.com/introducing-pro-tools-201...

The article Introducing Avid Pro Tools 2018 by Jake Altschuler appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Capturing Foley for Epix’s Berlin Station

January 25, 2018, 10:29 AM

http://postperspective.com/capturing-foley-epixs-b...

Now in its second season on Epix, the drama series Berlin Station centers on undercover agents, diplomats and whistleblowers inhabiting a shadow world inside the German capital. Working under the direction of series supervising sound editor Ruy Garcia, Westchester, New York-based Foley studio Alchemy Post Sound is providing Berlin Station with cinematic sound. Continue reading → January 25, 2018 The post Capturing Foley for Epix’s Berlin Station appeared first on Randi Altman's pos...

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