It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 29, 2019, 12:59 PM
https://fxfactory.com/blog/effects-2/modern-typogr...
Fluid, animated titles and backgrounds whose simplicity and elegance make them ideal to give your projects a professional look.
October 28, 2019, 01:04 PM
http://www.btlnews.com/featured/contenders-ad-astr...
For editors John Axelrad and Lee Haugen, cutting James Gray’s Ad Astra was a new venture into the world of the film’s epic space journey. In addition to the advent, for a James Gray film, of overarching visual effects, Axelrad and Haugen had to manage a motion picture that was both one man’s intimate story […] The post Contenders: Ad Astra Editors appeared first on Below the Line.
October 26, 2019, 01:02 PM
https://www.premiumbeat.com/blog/edit-pocket-6k-fi...
We've previously covered offline editing and proxy workflows, but in this article, we'll cover methods to make your 6K RAW editing more amicable.
October 26, 2019, 01:02 PM
https://www.newbluefx.com/blog/tile-your-graphics-...
Part 18 of 24 • Imaginative and Creative Multipic Backplates and Placeholders with Zero Effort Problem: Last minute budget problems kept your producer from getting the graphics backplates and bumpers she needs for your show. The post TILE: Your Graphics Design Background Factory appeared first on NewBlueFX.
October 26, 2019, 01:01 PM
https://www.redsharknews.com/production/item/6736-...
Using scientific data, this animation plots a year in the life of the planet earth from Geostationary orbit. AnimationSpaceVimeo
October 26, 2019, 01:01 PM
http://www.postmagazine.com/Post-Blog/2019/October...
I caught up with Alex Tsilfidis, founder and CEO of Accusonus, at the AES show in New York City recently. The company has a background in technology for hearing aids (as well as beat making and drum mixing) and that expertise has allowed Accusonus to develop a series of audio restoration plug-ins the can solve a number of problems video editors often encounter. Photo (L-R): Post's Marc Loftus and Accusonus' Alex Tsilfidis The company currently offers six...
October 26, 2019, 01:01 PM
https://www.provideocoalition.com/atomos-acquires-...
Used in films from the James Bond series to Marvel, the wireless sync technology from Timecode systems is now part of Atomos, making effortless collaborative filmmaking an on-set reality. It’s... The post Atomos acquires Timecode Systems, changing production workflows appeared first on ProVideo Coalition.
October 24, 2019, 01:01 PM
https://www.screeneditors.com.au/montage-wars-sa/
Montage Wars is Adelaide's first video editing competition! Six emerging Editors will compete to show off their editing artistry and speed. Each will have two hours to edit a music video. Join us for a fun, live and interactive event where you get to witness the edits emerging from the raw media while enjoying the […]
October 24, 2019, 01:01 PM
https://postperspective.com/the-gritty-and-realist...
By Jennifer Walden The grit of Gotham City in Warner Bros.’ Joker is painted on in layers, but not in broad strokes of sound. Distinct details are meticulously placed around the Dolby Atmos surround field, creating a soundtrack that is full but not crowded and muddy —it’s alive and clear. “It’s critical to try to create a real feeling world so Arthur (Joaquin Phoenix) is that much more real, Continue reading → October 23, 2019 The post The gritty and realistic sounds of Joker ...
October 24, 2019, 01:01 PM
https://www.redsharknews.com/technology/item/6733-...
2019 has been a very good year for AMD. It’s taken 30% of the personal computing market from Intel, which it hasn’t done in 12 years. For the first time since the Athlon64, AMD is the performance option, rather than just the budget one. SupercomputerAMDZen3Intel
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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