It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 26, 2017, 05:18 AM
https://www.rocketstock.com/blog/color-grade-sunse...
The classic sunset shot that closes out the day or the entire narrative of your film is a cinematic staple. Whether you want your characters sitting on the beach, standing on top of a building, or riding off into the sunset, capturing the shot is the first step in the process. Because sunsets are so wildly different from one another, they all need different color grading. Here are a few different ways to color grade your sunset in Premiere Pro and After Effects.
July 25, 2017, 04:35 PM
http://www.studiodaily.com/2017/07/glow-film-look-...
The new Netflix hit series GLOW straddles a fine visual line. The show’s hook is a promotional gimmick dating back to the mid-1980s, when a maverick World Wrestling Association promoter moved to Hollywood and established an all-woman organization called Gorgeous Ladies of Wrestling, or GLOW for short. The setting demands a period look and feel — but […] The post Light Iron Colorist Ian Vertovec on GLOW and Getting a Mid-80s Film Look in HDR appeared first on Studio Daily.
July 25, 2017, 12:50 PM
http://lesterbanks.com/2017/07/carving-car-rim-har...
Pux’s Hard Mesh plugin for Maya offers fast hard surface modeling working with booleans in a super-flexible way. With it, you can easily combine objects or choose between various boolean-type of operations. This lets you The Post Carving Out a Car Rim With Hard Mesh in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
July 25, 2017, 12:50 PM
http://www.cartoonbrew.com/ideas-commentary/katzen...
The post-Dreamworks Animation career of Jeffrey Katzenberg officially launched last week with a cover story in Variety touting grand plans for his short-form mobile/web video company WndrCo.
July 25, 2017, 12:50 PM
https://filmschoolrejects.com/brief-history-cartoo...
The highly anticipated official Season 3 run for Rick and Morty begins this Sunday, and with that in mind, the question of when animated TV shows geared toward adults took off in popularity came to mind as well. Of course, it can always be argued that people of all ages can enjoy TV cartoons, even if they are directed toward children. However, it seems in the past couple of decades a rich collection of “adult” animated TV series has been established, and that trend seems it will only continu...
July 25, 2017, 09:12 AM
https://www.premiumbeat.com/blog/16-free-light-dus...
In this Adobe After Effects tutorial, learn how to get the most out of RocketStock's Free 4K Volumetric Light and Dust Overlays.
July 25, 2017, 09:12 AM
http://postperspective.com/michael-kammes-5things-...
Technologist Michael Kammes is back with a new episode of 5Things, which focuses on simplifying film, TV and media technology. This web series answers, according to Kammes, the “five burning tech questions” people might have about technologies and workflows in the media creation space. This episode tackles professional video editing software being used (or not used) in Hollywood. Continue reading → July 25, 2017 The post Michael Kammes 5Things – Video editing software appeared fir...
July 25, 2017, 09:11 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“We're your friends, Rosemary. There's nothing to be scared about.” — Mrs. Gilmore ...
July 25, 2017, 09:11 AM
http://www.artofvfx.com/spider-man-homecoming-domi...
Dominik Zimmerle began his career in visual effects in 2007 at Trixter. He has worked on many projects such as THE AVENGERS, CLOUD ATLAS, IRON MAN 3 and AVENGERS: AGE OF ULTRON. As a VFX Supervisor, he took care of the effects of ANT-MAN and INDEPENDENCE DAY: RESURGENCE.
July 24, 2017, 05:17 PM
http://www.digitalproductionbuzz.com/2017/07/trans...
HOST Larry Jordan GUESTS Maxim Jago, Director, MaximJago.com Jim Cummings, Animation Voice Actor Pierson Clair, Faculty, Viterbi School of Engineering, USC Philip Hodgetts, President, Lumberjack System Stephen Nakamura, Senior Colorist, Deluxe’s Company 3 James DeRuvo, Film and Technology Reporter, DoddleNEWS == Larry Jordan: Tonight The Buzz takes a look back at some of our favorite interviews over the last six months.… The post Transcript: Digital Production Buzz – July 2...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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