It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 25, 2019, 01:38 PM
https://www.provideocoalition.com/the-lion-king-bl...
Micro Studio Camera 4Ks used as witness cameras, DaVinci Resolve Studio, ATEM video switchers and other hardware were used by visual effects supervisor Rob Legato during production of The Lion King. The Lion King, the film directed by Jon Favreau, is a pioneering exploration of virtual production, as PVC detailed in a previous article. Now... The post The Lion King: Blackmagic Design was the backbone for the virtual production appeared first on ProVideo Coalition.
September 24, 2019, 01:01 PM
https://fxfactory.com/blog/effects-2/de-clipper-au...
The world’s first entirely automatic De-Clipper.
September 24, 2019, 01:01 PM
https://www.provideocoalition.com/after-effects-cl...
One of the tell-tale signs of a good composite versus a bad composite is the quality of the edges around the foreground layer. For example, it may contain some color contamination from the background it was originally shot against, which can prevent it from seamlessly melting into the new background you are trying to place... The post After Effects Classic Course: Remove Color Matting appeared first on ProVideo Coalition.
September 24, 2019, 01:01 PM
https://www.provideocoalition.com/adam-savages-tes...
Adam Savage’s Tested VR is a FREE app that gives you a fantastic experience of what VR and VR180 can be, but it also served to test the VR180 camera rig assembled to shoot the 8 episodes. Inspired by Adam Savage’s Tested One Day Builds, Adam Savage’s Tested VR takes audiences on a journey inside... The post Adam Savage’s Tested VR: the production of a virtual journey for Oculus headsets appeared first on ProVideo Coalition.
September 23, 2019, 01:26 PM
https://www.provideocoalition.com/art-of-the-cut-w...
Gary Dollner, ACE, is an award-winning editor with BAFTA nominations for In the Thick of It (2005), and Fleabag (2017), an ACE EDDIE nomination for VEEP (2012), an Emmy win for Fleabag (2019), and an ACE EDDIE win for Killing Eve. (2019). (This interview was transcribed with SpeedScriber. Thanks to Martin Baker at Digital Heaven) HULLFISH: Looks... The post ART OF THE CUT with Gary Dollner, ACE, editor of “Fleabag” and “Killing Eve” appeared first on ProVideo Coalition.
September 22, 2019, 06:23 PM
https://digitalfilms.wordpress.com/2019/09/21/fool...
Prior to file-based camera capture, film and then videotape were the dominant visual acquisition technologies. To accommodate, post-production adopted a two-stage solution: work print editing + negative conform for film, offline/online editing for video. During the linear editing era high-res media on tape was transferred to a low-res tape format, like 3/4″, for creative editing […]
September 21, 2019, 03:58 PM
https://www.premiumbeat.com/blog/text-effect-premi...
When you're getting into text effects and animations, workspace is important. Master your motion graphics workflow in Adobe Premiere Pro with these tips.
September 21, 2019, 03:57 PM
https://www.newbluefx.com/blog/copy/
One of the most common problems I run into as a one-man production team is keeping tabs on all my assets and organizing all of my files, especially while working under tight deadlines. Digging through multiple hard drives and duplicate folders is frustrating, specifically when sifting through multiple versions of the most recent edits requested by clients. The post Making The Most of Your Editing Time with Titler Pro 7 – Reusable, Scaling Titles appeared first on NewBlueFX.
September 21, 2019, 03:57 PM
https://postperspective.com/ibc-2019-in-amsterdam-...
By David Cox IBC 2019 kicked off with an intriguing announcement from Avid. The company entered into a strategic alliance with Microsoft and Disney’s Studio Lab to enable remote editorial workflows in the cloud. The interesting part for me is how this affects the perception of post producing in the cloud, Continue reading → September 19, 2019 The post IBC 2019 in Amsterdam: Big heads in the cloud appeared first on postPerspective.
September 21, 2019, 03:57 PM
https://postperspective.com/aja-adds-hdr-image-ana...
AJA will soon offer the new HDR Image Analyzer 12G, bringing 12G-SDI connectivity to its realtime HDR monitoring and analysis platform developed in partnership with Colorfront. The new product streamlines 4K/Ultra HD HDR monitoring and analysis workflows by supporting the latest high-bandwidth 12G-SDI connectivity. The HDR Image Analyzer 12G will be available this fall for $19,995. Continue reading → September 19, 2019 The post AJA adds HDR Image Analyzer 12G and more at IBC appeared fir...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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