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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editor Ethan Mitchell Joins Cut+Run

July 18, 2017, 05:37 AM

http://www.btlnews.com/community/editor-ethan-mitc...

Cut+Run has welcomed editor Ethan Mitchell to their roster. Mitchell will be based out of the NYC office and is also available to work via Cut+Run’s locations in Los Angeles, San Francisco, and Austin. The editor is reportedly known for editing beauty-infused work in a variety of genres, including visual storytelling, documentary, comedy, and brand supported […] The post Editor Ethan Mitchell Joins Cut+Run appeared first on Below the Line.

Nothing Sacred (1937)

July 18, 2017, 05:37 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“For good clean fun, there's nothing like a wake.” — Wally Cook ...

Viasat Nature Idents VFX Brakedown

July 18, 2017, 05:37 AM

http://www.cgmeetup.net/home/viasat-nature-idents-...

Weareseventeen – Viasat World commissioned us to conceive and produce a series of six new idents for Viasat Nature.

Summing up the State of NLEs in the Industry

July 17, 2017, 05:39 PM

http://www.fcp.co/final-cut-pro/articles/1983-summ...

Want to know more about the state of each of the NLEs in the industry? This forty minute panel discussion with some of the top industry commentators is well worth a watch. 

TRANSFORMERS: Rick O'Connor - Animation Supervisor

July 17, 2017, 09:16 AM

http://www.artofvfx.com/transformers-the-last-knig...

In 2014, Rick O’Connor explained to us about the ILM‘s work on TRANSFORMERS: AGE OF EXTINCTION. Now he talks to us about his new collaboration with director Michael Bay and the challenges on TRANSFORMERS: THE LAST KNIGHT.

Sunday Sound Thought #81: Taking a Page from the L

July 17, 2017, 05:16 AM

http://designingsound.org/2017/07/sunday-sound-tho...

A few days ago, I stumbled on a book by screenwriter Brian McDonald called, ‘Invisible Ink: A Practical Guide to Building Stories that Resonate.” Initially, I thought it would be a good read in the indirect sense that I could gain a better understanding of how story ideas are developed into films, TV shows, or […]

Paritarias de Largometraje 2017/2018 – SICA APMA

July 16, 2017, 12:31 PM

https://edaeditores.org/paritarias-de-largometraje...

Compartimos el comunicado del Sindicato de la Industria Cinematográfica Argentina, Animación, Publicidad y Medios Audiovisuales (SICA-APMA) con motivo del acuerdo paritario para salarios mínimos de largometraje. Estos mínimos actualizados para montajistas y asistentes de montaje pueden ser consultados en la sección Legislación de este sitio. Finalmente quedó acordada la recomposición salarial en un 30% para […]

Se realizó la charla “El montaje de cine en tre

July 16, 2017, 12:30 PM

https://edaeditores.org/se-realizo-la-charla-el-mo...

En el marco de FICSUR, Festival Internacional de Cine de los Países del Sur del Mundo, EDA organizó la charla “Entre Cortes. El montaje de cine en tres generaciones“. En la charla participaron Seba Polze (EDA), Germán Cantore (SAE) y Miguel Pérez (EDA/SAE), con la moderación de Verónica de Cata (EDA). El público pudo conocer más […]

Spiderman Homecoming VFX INTERVIEW

July 16, 2017, 07:47 AM

http://sparkfx.ca/festivals/information.php?NEWS-2...

Towards the end of Jon Watts’ Spider-Man: Homecoming, the newest instalment of the Spider-Man franchise and now part of Marvel’s larger cinematic universe, Peter Parker (Tom Holland) makes a bold choice to try and thwart the efforts of Adrian Toomes (Michael Keaton), who is hell-bent on stealing Avengers weaponry from a plane — mid-flight — as it leaves New York.

William HOY, ACE, edits "War for the Plane of the

July 15, 2017, 02:53 PM

https://www.provideocoalition.com/AOTC-War-HOY

William Hoy, ACE got into the editor’s seat on feature films back in the mid-‘80s. One of his first major feature films was Dances With Wolves. Since then he’s edited a string of box office and critically acclaimed hit films: Star Trek VI: The Undiscovered Country, Patriot Games, Se7en, The Man in the Iron Mask, The Bone Collector, Dawn of the Dead, Fantastic Four, 300, Watchmen, and Dawn of the Planet of the Apes. Art of the Cut caught up with William recently to discuss his work on War f...

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