It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 12, 2017, 09:41 AM
https://fxfactory.com/blog/effects-2/easily-apply-...
LUTPro lets you apply LUT files to your video inside of Final Cut Pro X. You can use LUTPro to quickly normalize video shot in a “log” format, or you can import your own LUT collection for use in FCPX. Normalize “log” formats like RED IPP2, Canon C-Log, Blackmagic, and others Import your own LUT collection […]
July 12, 2017, 06:26 AM
http://www.screeneditors.com.au/hyper-active/
Hyperactive Broadcast is the leading provider of EVS based integrated workflows for Live Broadcast and Feature Film Post Production. Combining the very latest media management and integrated storage solutions with Avid Interplay and EVS IP Directors, we have the highest level of skills and understanding and are trusted by the best names in the industry […]
July 12, 2017, 06:26 AM
https://www.provideocoalition.com/sam-bogoch-axle-...
We’ve all been there. You wrap a project, put a drive on the shelf, and promptly buy a new drive for the next project. Several months later, the client asks for a new version of the video…but you’ve forgotten which drive the project was on. Sam Bogoch and axle Video have made it their business to help you find your media faster.
July 12, 2017, 06:25 AM
http://www.artofvfx.com/viking-vfx-breakdown-cgf/
Check out this VFX Breakdown by CGF about their work on VIKING...
July 11, 2017, 06:04 PM
http://www.fcp.co/final-cut-pro/news/1982-managing...
Staying within FCPX, you can only 'gather up and copy media' which isn't ideal. At the recent Faster Together stage at NAB, Chris Steele from Marquis Broadcast demonstrated Worx4 X that copies and trims media saving a lot of disk space.
July 11, 2017, 12:21 PM
http://blogs.adobe.com/creativecloud/visual-effect...
Titanic. Hugo. The Jungle Book. What do these visually stunning movies have in common? They each won an Academy Award for Best Visual Effects with visual effects supervisor Rob Legato at the helm. Legato got his start in television, winning two Emmys for the Star Trek franchise, but he left his successful television career to join Digital Domain, a visual effects company founded by James Cameron, Stan Winston, and Scott Ross. The rest, as they say, is history. Hugo In the years since, Le...
July 11, 2017, 09:05 AM
https://www.premiumbeat.com/blog/editing-and-sound...
Dive into the real time production and post-production workflow of one of this tightly synced film.
July 11, 2017, 09:03 AM
http://www.indiewire.com/2017/07/spider-man-homeco...
With this month’s one-two punch of “Spider-Man: Homecoming” and “War for the Planet of the Apes,” it’s clear why Michael Giacchino has become Hollywood’s go-to composer. He once again delivers both the loud and quiet musical passages with force and grace, making him the master of superhero and animated movies.
July 10, 2017, 11:39 AM
http://saeditores.org/Novedades/Felicitaciones-com...
Con motivo de la reciente inclusión de nuestro Socio Fundador, Juan Carlos Macías, en la Academia de Artes y Ciencias Cinematográficas de los Estados Unidos, su colega y también Socio Fundador Miguel Pérez comparte bellas palabras de reconocimiento.
July 9, 2017, 10:41 AM
http://designingsound.org/2017/07/sunday-sound-tho...
As has come before; many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span…Please bare with us as we traverse the abstract canals of audio musings. […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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