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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Why do women make better film editors?

July 16, 2016, 12:11 PM

http://lwlies.com/articles/why-do-women-make-bette...

n 2014, 85 per cent of Hollywood films were directed by men, 80 per cent were written by men and a staggering 92 per cent were shot by men, according to the Center for the Study of Women in Television and Film at San Diego State University. But while the gap between men and women often feels like it is widening in these areas of the industry, elsewhere the balance is far more equal.

Metadata isn’t just for production!

July 15, 2016, 05:38 AM

http://www.philiphodgetts.com/2016/07/metadata-isn...

While my focus is on metadata for production, different types of metadata are equally valuable for distribution.

MPC Film Reel 2016

July 14, 2016, 09:25 AM

http://www.artofvfx.com/mpc-film-reel-2016/?utm_so...

Great showreel by MPC featuring their work on THE JUNGLE BOOK, THE MARTIAN, BATMAN V SUPERMAN, X-MEN APOCALYPSE and many more...

After Effects CC 2015.3 In Depth: Maxon CINEWARE a

July 14, 2016, 04:59 AM

http://blogs.adobe.com/creativecloud/after-effects...

Earlier this summer, we released After Effects CC 2015.3 (13.8), which features a variety of performance and workflow enhancements. In this article, we’re sharing more detail about the updates to the Maxon CINEWARE 3.1 plug-in, which includes the Maxon Cinema 4D Exporter. Please, if you want to ask questions about these new and changed features, come on over to the After Effects user-to-user forum. That’s the best place for questions. Questions left in comments on a blog post are muc...

Sorenson Squeeze Desktop 11 Pro Promotions!

July 13, 2016, 04:17 PM

http://www.videoguys.com/blog/promotions-squeeze-d...

Sorenson Squeeze Desktop 11 Pro Save on Upgrades from Any Version & New Licenses Sorenson Media’s Ultimate Video Encoder – Squeeze Desktop 11 Pro Sorenson Media is an award-winning provider of the highest quality, differentiated video encoding solutions. With highly scalable cloud- and server-based encoding solutions and desktop applications, they empower the enterprise, video professionals Read More The post Sorenson Squeeze Desktop 11 Pro Promotions! appeared first on Videoguys Blog.

Tank Girl (1995)

July 12, 2016, 01:36 PM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“Feeling a little inadequate?” — Tank Girl ...

Mr. Robot the Workflow of Cinematic Television

July 12, 2016, 01:36 PM

http://soundandpicture.com/2016/07/hacking-time-pi...

Nothing else on television right now goes where USA Network’s Mr. Robot goes. Or feels like it does. Or sounds or looks more polished. The show’s technical achievements match, if not surpass, its story’s lofty goals and ambitious concepts, with a signature aesthetic and sensibility that borrow from the greatest transgressive hits of neo-noir and cyberpunk, while remaining an original and inspired work that stands firmly on its own.

Editor Jesse Averna tweets words of wisdom, encour

July 11, 2016, 07:11 PM

http://postperspective.com/editor-jesse-averna-twe...

Let’s face it, post production can be hard, and sometimes our social networks can get a tad negative. In the midst of that, LA-based editor Jesse Averna (@dr0id) recently shared some positivity and shed some light on how to navigate in the complex world of the post professional by offering some advice and encouragement through a series of tweets. Continue reading →July 11, 2016

Let’s Edit with Media Composer – ADVANCED –

July 11, 2016, 05:57 AM

http://www.provideocoalition.com/lets-edit-media-c...

In this lesson, Kevin P McAuliffe talks about working with Look Up Tables (LUT’s) inside of Media Composer.  They’re not as simple to get installed in Media Composer as they are in other applications, as they are treated more like AMA Linked to parameters, as opposed to effects, but once installed, they can be worked The post Let’s Edit with Media Composer – ADVANCED – Working with LUT’s appeared first on ProVideo Coalition.

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