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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Editor Josh Beal on Netflix’s ‘Bloodline’

July 21, 2016, 04:52 AM

http://postperspective.com/editor-josh-beal-on-net...

By Randi Altman Looks are deceiving, and that familiar saying is at the heart of Netflix’s dramatic series Bloodline. The show focuses on the Rayburns, a respected family that runs a popular and long-standing beachfront hotel in the Florida Keys. On the surface, Continue reading →July 20, 2016

Adobe’s Summer 2016 Refresh

July 20, 2016, 12:08 PM

https://digitalfilms.wordpress.com/2016/07/20/adob...

Adobe is on track for the yearly refresh of its Creative Cloud applications. They have been on a roll with their professional video solutions – especially Premiere Pro CC – and this update is no exception. Since this is not a new, across-the-board Creative Cloud version update, the applications keep the CC 2015 moniker, except […]

Interview With Zack Arnold: Editing TV Shows

July 19, 2016, 12:39 PM

http://www.digimediapros.com/interview-with-zack-a...

In this episode, Zack Arnold, the editor of the highly popular TV show Empire, tells us the good, the bad and the ugly of editing TV shows. We talk about the art of editing, the technical side and how important it is to manage people in the edit bay.

Interview With Zac Arnold: Editing TV Shows

July 19, 2016, 05:46 AM

http://www.digimediapros.com/interview-with-zac-ar...

In this episode, Zac Arnold, the editor of the highly popular TV show Empire, tells us the good, the bad and the ugly of editing TV shows. We talk about the art of editing, the technical side and how important it is to manage people in the edit bay.

After Effects CC 2015.3 In-Depth: UI Changes and O

July 19, 2016, 05:45 AM

http://blogs.adobe.com/creativecloud/after-effects...

Earlier this summer, we released After Effects CC 2015.3 (13.8), which features a variety of performance and workflow enhancements. In this article, we’re sharing more detail about changes to the user interface, bug fixes, and the many other small improvements. Please, if you want to ask questions about these new and changed features, come on over to the After Effects user-to-user forum. That’s the best place for questions. Questions left in comments on a blog post are much harder t...

Production in the Cloud

July 19, 2016, 05:45 AM

http://www.philiphodgetts.com/2016/07/production-i...

A recent student film could predict the metadata-based workflow of the future.

LaCie Rugged RAID and SanDisk Connect Wireless Sti

July 19, 2016, 05:44 AM

http://www.macworld.com/article/3096951/ios/lacie-...

As great as Apple’s tablets, smartphones and computers are, nothing’s perfect. All hardware eventually fails. Your iPhone or MacBook can get lost or stolen. Files can be corrupted. If any of these things happen at a time when backing your data up to the cloud isn’t an option, you’re gonna have a bad day. For a guy like me, who travels as he works, one bad day’s worth of lost data can add up to a ton of lost revenue.

2016 Emmy Nominations for Main Title Design

July 18, 2016, 04:18 PM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

The 2016 Emmy nominations for Outstanding Main Title Design were announced on July 14th with industry stalwarts Imaginary Forces, Elastic, and Digital Kitchen taking home all of the nominations.Studio Elastic continues its three-year nomination streak, earning its fifth and sixth nominations for the openings of Amazon’s The Man in the High Castle and AMC’s The Night Manager. Elastic previously won the title design Emmy in 2014 for True Detective.This is also the third year in which Imagi...

Axis works with Bungie, Activision for ‘Destiny:

July 18, 2016, 12:04 PM

http://postperspective.com/axis-works-with-bungie-...

London-based CG and animation house Axis has collaborated with game developer Bungie and game publisher Activision to create the cinematic sequences, based on Bungie’s initial previs, for the Destiny: Rise of Iron trailer. Destiny: Rise of Iron features new storylines, locations, gear, maps, enemies and missions, Continue reading →July 18, 2016

Real-world, same-day editing with the Lumaforge Je

July 18, 2016, 05:14 AM

http://www.provideocoalition.com/real-world-day-ed...

Earlier this summer I was hired on a job to edit same day content for CMA Music Festival. It’s one of the biggest music festivals around and they produce a good bit of content that shows nightly at the stadium as well as online. Working with our friends at Taillight TV the weeklong job required The post Real-world, same-day editing with the Lumaforge Jellyfish and Adobe Premiere Pro appeared first on ProVideo Coalition.

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