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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

FilmLight offering free Color On Stage seminar at

August 20, 2019, 05:57 AM

https://postperspective.com/filmlight-offering-fre...

At this year’s IBC, FilmLight is hosting the free two-day seminar series, Color On Stage, on September 14 and 15. The event features live presentations and discussions with colorists and other creative professionals. The event will cover the role of the colorist today to understanding color management and next generation grading tools. “Color on Stage offers a good platform to hear about real-world interaction between colorists, Continue reading → August 19, 2019 The post FilmLight ...

Warner Bros.

August 19, 2019, 12:27 PM

https://www.screeneditors.com.au/warner-bros/

Since entering the Australian market in mid-2015 Warner Bros. has become a major force in the local TV production scene. Warner Bros. makes a diverse range of top rating shows, from the highly successful Bachelor franchise, generating three separate series a year, to formats including First Dates, Little Big Shots, The Proposal, Dancing With The […]

Emmy-Nominated Editor Vera Drew on Tim and Eric’

August 19, 2019, 12:27 PM

https://www.studiodaily.com/2019/08/editor-vera-dr...

Vera Drew is an editorial polymath — in addition to her work in the edit suite, she’s also an accomplished writer and director who knows her way around animation and design. In fact, it was an early interest in animation that helped guide her career path as she came up through the ranks at Tim […] The post Emmy-Nominated Editor Vera Drew on Tim and Eric’s Channel 5, the Value of Subversive Comedy, and Showtime’s Who Is America? appeared first on Studio Daily.

After Effects Classic Course: Solid Composite

August 19, 2019, 12:27 PM

https://www.provideocoalition.com/after-effects-cl...

In the previous post we showed you how to use a Solid layer plus Blending Modes to tint an image. Well, a clever plug-in developer decided to encapsulate this trick into an effect, and then extend what it can so. The result is Solid Composite, and it was one of our “secret weapons” when using... The post After Effects Classic Course: Solid Composite appeared first on ProVideo Coalition.

New FCPX Media Asset Management Workflow Extension

August 19, 2019, 12:27 PM

http://www.fcp.co/final-cut-pro/news/2199-new-fcpx...

The Final Cut Pro X ecosystem grows again with new workflow extensions. They are similar, one for SNS storage systems to browse content and another for Cantemo Portal, the shared storage Media Asset Manager.

Blackmagic RAW Speed Test benchmark tool: how fast

August 19, 2019, 12:27 PM

https://www.provideocoalition.com/blackmagic-raw-s...

Blackmagic RAW Speed Test is a new CPU and GPU benchmarking tool that you can use to test the speed of decoding full resolution Blackmagic RAW frames on your system. How fast is your Mac? Now you can test your system’s CPU and GPU performance for working with full resolution Blackmagic RAW video. Blackmagic RAW... The post Blackmagic RAW Speed Test benchmark tool: how fast is your Mac? appeared first on ProVideo Coalition.

Are you coming to the Inspire Media Conference?

August 19, 2019, 06:00 AM

https://www.provideocoalition.com/are-you-coming-t...

Haven’t been able to make it to Las Vegas for NAB Post|Production World? Can’t hit one of the many Future Media Concepts events around the country? Around Memphis, Tennesse on September 12 & 13, 2019? Then join us at the Inspire Media Conference for two days of learning and lunching about many things media. Rather... The post Are you coming to the Inspire Media Conference? appeared first on ProVideo Coalition.

Affinity Publisher

August 18, 2019, 12:26 PM

https://digitalfilms.wordpress.com/2019/08/18/affi...

The software market offers numerous alternatives to Adobe Photoshop, but few companies have taken on the challenge to go further and create a competitive suite of graphics tools – until now. Serif has completed the circle with the release of Affinity Publisher, a full-featured, desktop publishing application. This adds to the toolkit that already includes […]

My VFX job: VFX editor

August 17, 2019, 08:41 AM

https://beforesandafters.com/2019/08/17/my-vfx-job...

I have to admit, a few years ago I wasn’t entirely sure what an editor inside a visual effects studio did. Of course, now it’s clear that this role is a crucial one in the mix of artistry, tech and workflow for any VFX operation.

True Detective’s quiet, tense Emmy-nominated sou

August 17, 2019, 08:41 AM

https://postperspective.com/true-detectives-quiet-...

By Jennifer Walden When there’s nothing around, there’s no place to hide. That’s why quiet soundtracks can be the most challenging to create. Every flaw in the dialogue — every hiss, every off-mic head turn, every cloth rustle against the body mic — stands out. Every incidental ambient sound — bugs, birds, cars, Continue reading → August 16, 2019 The post True Detective’s quiet, tense Emmy-nominated sound appeared first on postPerspective.

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