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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Boost Your Broadcast Graphics Workflow with the Ne

August 12, 2019, 12:28 PM

http://www.avidblogs.com/boost-your-broadcast-grap...

The post Boost Your Broadcast Graphics Workflow with the New Version of Maestro | News appeared first on Avid Blogs.

Top 5 Reasons Film Composers Love Pro Tools

August 12, 2019, 08:53 AM

http://www.avidblogs.com/top-5-reasons-film-compos...

The post Top 5 Reasons Film Composers Love Pro Tools appeared first on Avid Blogs.

Blackmagic Design eGPU Pro Review

August 12, 2019, 06:18 AM

https://www.provideocoalition.com/blackmagic-egpu-...

There’s a market for the Blackmagic Design eGPU Pro, but it’s very specific. Blackmagic Design has updated its external GPU device, replacing the Radeon Pro 580 with a Radeon RX Vega 56. This upgraded model carries the Pro moniker and a US$1199 sticker price, compared to the less expensive US$699 of the base model. The... The post Blackmagic Design eGPU Pro Review appeared first on ProVideo Coalition.

Free Solo

August 12, 2019, 06:17 AM

https://digitalfilms.wordpress.com/2019/08/10/free...

Every now and then a documentary comes along that simply blows away the fictional super-hero feats of action films. Free Solo is a testament to the breathtaking challenges real life can offer. This documentary chronicles the first free solo climb (no ropes) by Alex Honnold of El Capitan’s 3,000-feet-high sheer rock face. This was the […]

Resolve 16 Boring Detector – What’s in a name?

August 12, 2019, 06:17 AM

https://www.provideocoalition.com/resolve-16-borin...

I was working on Thursday when Blackmagic Design’s Grant Petty introduced a batch of new products in a live stream. These types of events are becoming regular things with BMD and it’s a great way to get the information out to a lot of people. Since I was working I was only casually listening but... The post Resolve 16 Boring Detector – What’s in a name? appeared first on ProVideo Coalition.

Let’s Edit with Media Composer – 4K Multicam O

August 10, 2019, 06:10 AM

https://www.provideocoalition.com/lets-edit-with-m...

In this lesson, Kevin P McAuliffe answers a viewers question about how to Offline 4K Red footage in HD, and then relink to your original RAW footage to finish and export your final master. To make matters a little more difficult, we’re going to use clips with different frame rates, but with the newest version... The post Let’s Edit with Media Composer – 4K Multicam Off/Online appeared first on ProVideo Coalition.

Good Omens (2019) — Art of the Title

August 9, 2019, 09:35 AM

https://www.artofthetitle.com/title/good-omens/

In the beginning was the word. But Aziraphale and Crowley were there, too. Soon there were also fruit-bearing trees and enormous stone cherubs, phone booths and spaceships, and people — so many people — all marching together on a bizarro pilgrimage toward their doom. This is the premise of the opening credits to Good Omens, the six-episode TV adaptation produced by Amazon Studios and BBC based on the popular 1990 novel of the same name by Terry Pratchett and Neil Gaiman.

AJA Ki Pro GO, a standalone multi-channel H.264 re

August 9, 2019, 09:35 AM

https://www.provideocoalition.com/aja-ki-pro-go-a-...

Designed to be either portable or rackmountable with half rack wide, 2RU high dimensions, Ki Pro GO is well suited for use in any environment. This standalone solution from AJA is shipping now. The standalone and portable Ki Pro GO is the next generation of AJA’s Ki Pro family of production-proven, file-based recording and playback... The post AJA Ki Pro GO, a standalone multi-channel H.264 recorder/player appeared first on ProVideo Coalition.

Creating Game of Thrones special effects at home w

August 9, 2019, 09:34 AM

https://www.provideocoalition.com/creating-game-of...

Game of Thrones delivered some of the best visual effects and tricks you could imagine, and now you get to recreate some of them at home, using Red Giant’s VFX Suite, a set of 9 tools for visual effects. The series may be gone, but it has left its mark in terms of visual effects.... The post Creating Game of Thrones special effects at home with Red Giant’s VFX Suite appeared first on ProVideo Coalition.

Chuck Jones Model Sheet for Kiss Me Cat (1953)

August 9, 2019, 05:45 AM

https://directedbychuckjones.tumblr.com/post/18687...

A Looney Tunes release opening in theaters on February 21, 1953. Directed by Charles M. Jones; Story by Michael Maltese; Animation by Lloyd Vaughn, Ken Harris, and Ben Washam; Layouts by Maurice Noble; Backgrounds by Philip DeGuard; Voice characterizations by Mel Blanc and (uncredited Bea Bernaderet); Musical Direction by Carl W. Stalling.*

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