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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

GUARDIANS OF THE GALAXY VOL. 2: VFX Breakdown

May 4, 2018, 06:32 AM

http://www.artofvfx.com/guardians-of-the-galaxy-vo...

Nice VFX Breakdown by Weta Digital about their work on GUARDIANS OF THE GALAXY VOL. 2...

Jim Button and Luke the Engine Driver VFX Breakdow

May 4, 2018, 06:32 AM

http://www.cgmeetup.net/home/jim-button-and-luke-t...

RISE – This reel showcases the work created at RISE | Visual Effects Studios for the film Jim Button and Luke the Engine Driver.

Marvel’s 10 VFX Milestones that Led to ‘Infini

May 3, 2018, 04:31 PM

http://www.indiewire.com/2018/05/visual-effects-ma...

It’s been 10 years since Robert Downey Jr. suited up as Tony Stark in the iconic Mark 1 armor in “Iron Man.” Back then the VFX had to look good to win over CG skeptic Jon Favreau, but Industrial Light & Magic stepped up and earned the first of eight Oscar nominations for Marvel.

Editor Alan Edward Bell Uses Fusion 9 Studio on Re

May 2, 2018, 12:17 PM

http://boscpug.org/editor-alan-edward-bell-uses-fu...

Fremont, CA – May 2, 2018 – Blackmagic Design today announced that Editor Alan Edward Bell used its visual effects (VFX) and motion graphics software, Fusion 9 Studio, while editing the film “Red Sparrow.”

PACIFIC RIM - UPRISING: Peter Chiang - VFX Supervi

May 2, 2018, 08:52 AM

http://www.artofvfx.com/pacific-rim-uprising-peter...

In 2015, Peter Chiang explained the work of DNEG on EXODUS: GODS AND KINGS. He then worked on STAR TREK BEYOND. Today he tells us about PACIFIC RIM: UPRISING.

Motionographer Motion Awards: 2017 Winners

May 2, 2018, 08:52 AM

http://motionographer.com/2018/05/02/motion-awards...

We are excited to present the winners of the 2017 Motion Awards by Motionographer...

James Cameron Answers Sci-Fi Questions from Twitte

May 2, 2018, 04:13 AM

http://www.studiodaily.com/2018/05/james-cameron-a...

Twitter users have questions about science fiction, and film director James Cameron has their answers. You can thank Wired for getting him to sit down and spout off for this video coinciding with his new six-part series James Cameron’s Story of Science Fiction, which debuted yesterday on AMC. The post James Cameron Answers Sci-Fi Questions from Twitter appeared first on Studio Daily.

VFX: Rodeo FX breaks down their Downsizing work

May 1, 2018, 04:25 PM

http://www.postmagazine.com/Video-Center/Gallery/V...

Downsizing | VFX Breakdown by Rodeo FX from Rodeo FX on Vimeo. Rodeo FX just released a VFX breakdown video highlighting the studio’s work on the film Downsizing. For the movie, in which scientists find a way to shrink humans to five inches tall, the Montreal-based VFX studio was brought on board to contribute almost 360 shots. Rodeo FX also created 285 CG assets for Leisureland, including 129 buildings.

Black Panther Editor, VFX Supe and Sound Designer

April 30, 2018, 04:31 PM

http://www.studiodaily.com/2018/04/black-panther-e...

What’s it like to work with Black Panther director Ryan Coogler? Collaboration is the keyword. At an NAB 2018 Creative Master Series panel considering Black Panther‘s storytelling techniques, editor Michael P. Shawver, VFX supervisor Geoffrey Baumann, and sound designer/supervisor and re-recording mixer Steve Boeddeker indicated that the filmmaker is unusually concerned with the feedback and ideas from his […] The post Black Panther Editor, VFX Supe and Sound Designer Talk Creative...

RAMPAGE: Erik Winquist - VFX Supervisor - Weta Dig

April 30, 2018, 09:09 AM

http://www.artofvfx.com/rampage-erik-winquist-vfx-...

In 2017, Erik Winquist had explained the awesome work of Weta Digital on WAR FOR THE PLANET OF THE APES. He talks to us today about the giant creatures of RAMPAGE.

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