It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 4, 2018, 09:11 AM
https://filmschoolrejects.com/vfx-secrets-paddingt...
Despite rapid advances in the field of special effects technology, crafting a CGI character that feels both naturalistic and engaging is still a challenge — just ask Star Wars’ infamous Jar Jar Binks or Justice League’s utterly forgettable villain Steppenwolf. But the recent Paddington 2, adored by audiences and critics alike for its imaginative whimsy and earnest emphasis on found families, succeeds in the feat of translating its titular character from a digital model into a genuinely bel...
March 31, 2018, 07:42 AM
https://www.provideocoalition.com/magix-photostory...
Mix the full functionality of MAGIX’s Photostory Deluxe and numerous additional effects with VR functions and you’ve the base for a new program: Photostory Premium VR.
March 29, 2018, 09:14 AM
http://www.artofvfx.com/tomb-raider-nick-crew-vfx-...
Nick Crew began his career in visual effects in 2003. He worked on films such as G.I. JOE: RISE OF COBRA and PERCY JACKSON AND THE OLYMPIANS: THE LIGHTNING THIEF. He joined Scanline VFX in 2010 and works on HEREAFTER, BATTLESHIP, FURIOUS 7 and BATMAN V SUPERMAN: DAWN OF JUSTICE.
March 29, 2018, 07:47 AM
https://filmschoolrejects.com/virtual-reality-in-m...
eality is boring. Who would want to live in the real world when there are synthetic alternatives out there that offer more imagination and wonder? Virtual reality allows for us to temporarily escape mundane routine and experience something a little out of the ordinary, even if it is potentially dangerous.
March 27, 2018, 12:18 PM
https://magazine.artstation.com/2018/03/creating-v...
Whether it’s creating horrifying creatures or setting a room ablaze with smoke and fire, Visual Effects (VFX) Supervisor Adam Clark relies on Blackmagic Design’s Fusion Studio for his film and television work.
March 27, 2018, 09:33 AM
http://www.artofvfx.com/1922-vfx-breakdown-by-siam...
Australian based studio Siamese presents their invisible work on 1922...
March 27, 2018, 09:33 AM
https://www.3dtotal.com/interview/1243-amazing-tec...
Weta Digital returns to the Maze Runner cinematic franchise where experimentations on immune youth are seen as the means to developing an antidote for a zombie-inducing virus that has desecrated the human population.
March 27, 2018, 09:32 AM
http://cinefex.com/blog/spotlight-andrew-whitehurs...
To create cinematic illusions, you need conjurors. In this series of spotlight interviews, we ask movie magicians what makes them tick.
March 23, 2018, 12:37 PM
https://www.provideocoalition.com/working-360-vide...
This week on MacBreak Studio, I talk with Ripple Training’s Steve Martin about the 360 toolset in Motion.
March 22, 2018, 09:26 AM
http://cinefex.com/blog/spotlight-eric-j-robertson...
To create cinematic illusions, you need conjurors. In this series of spotlight interviews, we ask movie magicians what makes them tick.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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