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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Cable Girls Seaon 2 VFX Breakdown

March 22, 2018, 06:35 AM

http://www.cgmeetup.net/home/cable-girls-seaon-2-v...

Entropy Studio – Produced by Netflix in collaboration with Bambú Producciones

ANNIHILATION: Andrew Whitehurst - Overall VFX Supe

March 21, 2018, 09:32 AM

http://www.artofvfx.com/annihilation-andrew-whiteh...

Andrew Whitehurst began his visual effects career in 2003 at Framestore. He works on films like LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE, TROY and CHARLIE AND THE CHOCOLATE FACTORY. He then joined Double Negative in 2005 and works on projects such as HARRY POTTER AND THE ORDER OF THE PHOENIX, HELLBOY II: THE GOLDEN ARMY, THE WOLFMAN and SKYFALL. As a VFX Supervisor, he took care of the effects of films like EX MACHINA and SPECTRE.

VFX for SCANDAL & HOW TO GET AWAY WITH MURDER

March 21, 2018, 04:21 AM

https://library.creativecow.net/Golden_Sherri/VFXL...

VFX Legion (www.vfxlegion.com) recently created the visual effects for the highly anticipated crossover episodes of Scandal and How to Get Away with Murder. The storylines of the political thriller and legal drama intersect in the back-to-back two-hour event, which premiered March 1st on ABC and continues to rank as a streaming favorite on Hulu.

Spotlight – Jeffrey A. Okun, VES

March 20, 2018, 09:15 AM

http://cinefex.com/blog/spotlight-jeffrey-a-okun-v...

Currently Chair of the Visual Effects Society, Jeffrey A. Okun is a visual effects supervisor with a wealth of screen credits including Blood Diamond, The Last Samurai, The Last Starfighter, Stargate, Lolita (1997), Deep Blue Sea and Cutthroat Island.

THE MONKEY KING 3: VFX Breakdown

March 20, 2018, 09:15 AM

http://www.artofvfx.com/the-monkey-king-3-vfx-brea...

Korean studio Digital Idea presents their VFX work on THE MONKEY KING 3 (click on the picture below to watch it)...

THE OUTSIDER: Main Title

March 19, 2018, 12:16 PM

http://www.artofvfx.com/the-outsider-main-title-by...

Beautiful main title created by Elastic for the Yakuza movie, THE OUTSIDER...

Video Podcasting Station debuts at NAB 2018

March 15, 2018, 10:22 AM

https://www.provideocoalition.com/video-podcasting...

Marshall Electronics and MXL Microphones introduce at 2018 NAB Show their Visual Podcasting Station (VPS) bundles to make it simple to create live video podcasts.

BLACK PANTHER: Espen Nordahl - VFX Supervisor

March 13, 2018, 09:22 AM

http://www.artofvfx.com/black-panther-espen-nordah...

Espen Nordahl began his career in the visual effects in 2005 at Storm Studios. He has worked on many films such as TROLLHUNTER, JOHN CARTER, IRON MAN 3 and MAN OF STEEL. He returns to Storm Studios in 2013 and takes care of the effects of films like PIXELS and THE FATE OF THE FURIOUS.

Substance Designer Adds UDIM Support for Feature F

March 12, 2018, 09:31 AM

http://www.artofvfx.com/substance-designer-adds-ud...

CLERMONT-FERRAND, France – Allegorithmic releases a new update to Substance Designer engineered to take on the high-res workflows of professional VFX artists. With the introduction of UDIM support, the process of texturing large meshes will now be faster and easier than ever, bringing Substance Designer’s node-based, material authoring capabilities to an even wider audience.

VFX Breakdown: Three Billboards outside Ebbing, Mi

March 7, 2018, 05:52 PM

http://www.studiodaily.com/2018/03/vfx-breakdown-t...

Invisible VFX can be just as important to the success of a film as the splashy, show-offy stuff. Case in point: this VFX breakdown for Union VFX’s work on Three Billboards outside Ebbing, Missouri, which featured a lonesome deer, Frances McDormand chucking Molotov cocktails from an upstairs window, and some seriously misplaced dental work among shots requiring seamless […] The post VFX Breakdown: Three Billboards outside Ebbing, Missouri appeared first on Studio Daily.

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