It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 23, 2018, 05:58 AM
https://www.cinemablend.com/news/2315722/thors-vfx...
For comic book fans, to see what the Marvel Cinematic Universe has become is rather extraordinary. In the last 10 years we have seen characters hit the big screen that we never expected to be portrayed in live-action, and as a result one can only imagine the heroes and villains we'll get to meet in another 10.
February 22, 2018, 11:45 AM
http://www.artofvfx.com/bright-jason-billington-vf...
Jason Billington worked in many studios such as Fuel, Meteor Studios, Digital Domain and ILM before joining Iloura (now Method Studios) in 2015. He has worked on films such as TRANSFORMERS, AVATAR, PACIFIC RIM and JURASSIC WORLD. As a VFX Supervisor, he took care of the effects of DEEPWATER HORIZON, PATRIOTS DAY and GHOST IN THE SHELL.
February 22, 2018, 06:06 AM
http://www.artofvfx.com/star-wars-the-last-jedi-ma...
Excellent making of by ILM about their work on the Bombing Run sequence on STAR WARS – THE LAST JEDI...
February 22, 2018, 06:05 AM
http://www.cgw.com/Press-Center/In-Focus/2018/Earl...
AxisVFX, the visual effects arm of Axis Studios and creator of high-end CG imagery for television and film projects, has delivered 1,350 shots over the course of 13 months on Aardman Animations’ latest stop-motion epic Early Man. The work included the film’s dramatic prologue, epic stadium shots, the moody badlands, lava, fire and water FX.
February 20, 2018, 05:51 PM
http://www.studiodaily.com/2018/02/oscar-nominated...
John Nelson’s visual effects Oscar nomination for Blade Runner 2049 is his fourth overall. In February, he received BAFTA’s Best Special Visual Effects Award for the film, and he has received an additional two previous BAFTA nominations. In 2001, Nelson received an Oscar for Gladiator. He has also received Oscar and BAFTA nominations for Iron […] The post Oscar-Nominated VFX Supervisor John Nelson on Blade Runner 2049 appeared first on Studio Daily.
February 20, 2018, 06:32 AM
http://www.artofvfx.com/blade-runner-2049-vfx-brea...
Don’t miss this 10 min VFX breakdown by Framestore about their great work on BLADE RUNNER 2049...
February 17, 2018, 06:43 AM
http://www.studiodaily.com/2018/02/vfx-supervisor-...
Oscar and BAFTA nominee Ben Morris, creative director of Industrial Light & Magic’s London Studio, was the overall visual effects supervisor for Star Wars: The Last Jedi. Morris has received an Oscar and a BAFTA award for The Golden Compass, a BAFTA nomination for War Horse, a Primetime Emmy and VES award for Dinotopia, and […] The post VFX Supervisor Ben Morris on Star Wars: The Last Jedi appeared first on Studio Daily.
February 16, 2018, 04:23 AM
http://www.artofvfx.com/monster-com-opportunity-ro...
Have a look at this making of by The Mill about their work on this MONSTER.COM commercial...
February 15, 2018, 08:07 PM
http://www.studiodaily.com/2018/02/vfx-supervisor-...
The Visual Effects Oscar nomination for Kong: Skull Island is senior visual effects supervisor and second unit director Stephen Rosenbaum’s third. He has received two Oscars and two BAFTAs for Avatar and Forrest Gump. The first film Rosenbaum worked on was The Abyss at Industrial Light & Magic. He was a CG artist there for […] The post VFX Supervisor Stephen Rosenbaum on Kong: Skull Island appeared first on Studio Daily.
February 14, 2018, 01:19 PM
http://www.studiodaily.com/2018/02/vfx-supervisor-...
With War for the Planet of the Apes, Dan Lemmon, VFX supervisor at Weta Digital, received his fourth Oscar nomination. Last year, he received an Oscar and a BAFTA award for The Jungle Book. He has also received Oscar and BAFTA nominations for Dawn of the Planet of the Apes and Rise of the Planet of the […] The post VFX Supervisor Dan Lemmon on War for the Planet of the Apes appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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