It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 6, 2018, 07:04 PM
http://www.studiodaily.com/2018/02/technicolor-ope...
Technicolor announced its newest expansion in the Asia Pacific market with the establishment of Mill Film, a new VFX studio based in Adelaide, Australia. The move coincides with the South Australia Film Corporation offer of a new, un-capped Post Production, Digital and Visual Effects (SA PDV) rebate. Beginning last month, the new SA PDV rebate offers a […] The post Technicolor Opens VFX Studio Mill Film in Adelaide, Australia appeared first on Studio Daily.
February 6, 2018, 01:21 PM
http://postperspective.com/cinesite-vfx-supervisor...
By Randi Altman The Commuter once again shows how badass Liam Neeson can be under very stressful circumstances. This time, Neeson plays a mild-mannered commuter named Michael who gets pushed too far by a seemingly benign but not-very-nice Vera Farmiga. For this Jaume Collet-Serra-directed Lionsgate film, Continue reading → February 6, 2018 The post Cinesite VFX supervisor Stephane Paris: 860 shots for The Commuter appeared first on Randi Altman's postPerspective.
February 6, 2018, 01:21 PM
https://www.provideocoalition.com/iclone-popcornfx...
Reallusion iClone and Persistant Studios / PopcornFX release a next-level VFX plugin for production of realtime 3D particle effects equipped with specialized libraries and super-tools for customization.
February 2, 2018, 10:09 AM
http://www.btlnews.com/featured/weta/
“We are immensely proud of this work and grateful to the Academy for recognizing War for the Planet of the Apes with a nomination,” said Senior Visual Effects Supervisor, Joe Letteri. “This is the final film in the trilogy, and we’ve been really happy to see how audiences have been swept up by the […] The post Weta’s Joe Letteri and Dan Lemon React to their Oscar Nomination appeared first on Below the Line.
February 1, 2018, 11:19 AM
https://www.amazingmusictracks.com/blog/using-low-...
Light and shadows are great for visual storytelling. Give any scene in your project a deep and melancholic atmosphere with a low-key lighting approach.
#film#place tags here: lightingFebruary 1, 2018, 11:09 AM
http://www.postmagazine.com/Press-Center/Daily-New...
SANTA MONICA, CA — Timber (timber.net) recently provided visual effects services for The Middle, a three-minute music video-styled spot for Target featuring Maren Morris, Zedd & Grey. The video premiered during a commercial break in the 2018 Grammy Awards on Sunday, January 28th.
February 1, 2018, 11:09 AM
http://www.artofvfx.com/8th-anniversary/?utm_sourc...
Today marks the 8th anniversary of The Art of VFX!
February 1, 2018, 08:08 AM
http://www.cgmeetup.net/home/american-gods-vfx-bre...
EDI presents American Gods – VFX Breakdown
January 31, 2018, 05:12 PM
http://postperspective.com/quick-chat-arsenalcreat...
VFX supervisor Mike Wynd has joined ArsenalCreative from MPC, where he spent eight years in a similar role. Over the years, Wynd has worked on many high-profile projects for directors such as Rupert Sanders, Noam Murro and Adam Berg. He has also won a number of industry awards, Continue reading → January 31, 2018 The post Quick Chat: ArsenalCreative’s new VFX supervisor Mike Wynd appeared first on Randi Altman's postPerspective.
January 31, 2018, 05:12 PM
http://postperspective.com/vfx-supervisor-lesley-r...
By Randi Altman If you are one of the many who tend to binge-watch streaming shows, you’ve likely already enjoyed Amazon’s The Marvelous Mrs. Maisel. This new comedy focuses on a young wife and mother living in New York City in 1958, when men worked and women tended to, Continue reading → January 31, 2018 The post VFX supervisor Lesley Robson-Foster on Amazon’s Mrs. Maisel appeared first on Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.