It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 18, 2018, 11:22 AM
http://www.artofvfx.com/jumanji-welcome-to-the-jun...
In 2016, Glenn Melenhorst explained the Iloura’s work on the 6th season of GAME OF THRONES. He then worked on the 7th season and on OUTCAST and JOHN WICK: CHAPTER 2.
January 17, 2018, 12:39 PM
http://www.studiodaily.com/2018/01/game-thrones-do...
Game of Thrones delivered a commanding performance in this year’s Visual Effects Society (VES) Awards nominations, earning 11 nods in five categories to lead all projects nominated this year. Blade Runner 2049 and War for the Planet of the Apes tied with seven nominations each in the categories honoring work on feature films, while Despicable Me 3 followed as the […] The post Game of Thrones Dominates VES Awards Nominations; Blade Runner 2049 and War for the Planet of the Apes Are ...
January 16, 2018, 06:00 PM
http://www.indiewire.com/2018/01/visual-effects-os...
The two VFX Oscar frontrunners, “Blade Runner 2049” and “War for the Planet of the Apes,” are in a war of their own for the 16th VES Awards (to be held at the Beverly Hilton on February 13th). Each grabbed seven nominations, edging out “Star Wars: The Last Jedi”and upstart “Kong: Skull Island” (with five and four nominations, respectively). All four were nominated for the top prize along with Marvel’s “Guardians of the Galaxy Vol. 2.”
January 16, 2018, 02:05 PM
http://collider.com/ves-awards-nominations-2018-bl...
The Visual Effects Society has announced its nominations for the 16th Annual VES Awards, and Blade Runner 2049 and War for the Planet of the Apes unsurprisingly came out on top. The two films scored seven nominations each, Despicable Me 3 for some reason topped the animated feature nominees with five, and Game of Thrones leads the TV field with 11 nominations overall.
January 16, 2018, 10:24 AM
https://www.premiumbeat.com/blog/5-brands-virtual-...
Impressive developments in VR content and technology mean content creators can look forward to dynamic new opportunities.
January 16, 2018, 05:35 AM
http://www.creativebloq.com/advice/how-to-get-your...
When applying for a job, people often say it’s not what you know, it’s who you know. Well, we call BS on that.
January 15, 2018, 06:21 PM
https://vfxblog.com/2018/01/15/vfx-event-last-jedi...
Check out that list again in the heading – those are some of the biggest visual effects projects around, and they’re all going to be discussed by the studios behind the work at the upcoming SPARK FX 2018 in Vancouver.
January 8, 2018, 06:00 PM
http://www.studiodaily.com/2018/01/designing-retro...
Since its inception in 2010, Los Angeles design and creative visual effects studio Cantina Creative has earned an enviable list of credits that includes blockbusters such as Spider-Man Homecoming, Fate of the Furious, Avengers: Age of Ultron, Captain America: Civil War, The Hunger Games, Guardians of the Galaxy, Iron Man 3 and many more. Recently, Cantina […] The post Designing the Retro-Tech Look of the Future in Blade Runner 2049 appeared first on Studio Daily.
January 8, 2018, 12:47 PM
http://vfxvoice.com/crafting-new-effects-frontiers...
Few film releases in 2017 were as anticipated as Rian Johnson’s Star Wars: The Last Jedi, the follow-up to The Force Awakens and the continuation of the stories surrounding the Resistance’smovement against the evil First Order. The movie continues tofollow the plights of the scavenger Rey (Daisy Ridley), self-exiledJedi Master Luke Skywalker (Mark Hamill) and Kylo Ren (AdamDriver), the servant to Supreme Leader Snoke (Andy Serkis) andson of Han Solo (Harrison Ford) and Leia Organa (Carrie Fi...
January 8, 2018, 12:46 PM
http://www.artofvfx.com/kingsman-the-golden-circle...
The team of Sony Pictures Imageworks talks about the creation of the Robot Dogs for KINGSMAN – THE GOLDEN CIRCLE...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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