It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 8, 2017, 04:07 AM
https://americancinemaeditors.org/lillian-benson-a...
“In a world that encourages division, in an industry that doesn’t always reward kindness, I remind you that we always
June 8, 2017, 04:06 AM
http://www.artofvfx.com/view-conference-2017-the-f...
View Conference have just announced their first speakers for the 2017 edition! And it starts really strong with Joe Letteri (Senior VFX Supervisor – Weta Digital), Christopher Townsend (VFX Supervisor – Marvel Studios), Rob Coleman (Head of Animation – Animal Logic) and Hal Hickel (Animation Supervisor – ILM).
June 7, 2017, 04:58 PM
http://postperspective.com/vr-audio-terms-gaze-act...
By Claudio Santos Virtual reality brings a lot of new terminology to the post process, and we’re all having a hard time agreeing on the meaning of everything. It’s tricky because clients and technicians sometimes have different understandings of the same term, which is a guaranteed recipe for headaches in post. Continue reading → June 7, 2017 The post VR audio terms: Gaze Activation v. Focus appeared first on Randi Altman's postPerspective.
June 7, 2017, 02:01 PM
http://www.digitalrebellion.com/blog/posts/recent_...
We've been busy - here are some recent software updates for our products that you may have missed.Kollaborate Transfer 1.5 - May 15 2017 Uploads no longer have to finish before the next file will start encoding. Kollaborate Transfer will now encode files as quickly as possible and put them in a Waiting state until the previous upload finishes. This should result in faster processing of large batches. Accelerated uploading on the cloud (most noticeable for users outside the US) Reduced si...
June 7, 2017, 09:31 AM
https://americancinemaeditors.org/ace-interns-2017...
As motion picture editors we have often been heralded as the authors of the final draft of the screenplay and
June 7, 2017, 04:27 AM
https://americancinemaeditors.org/cuts-we-love-die...
An instant classic of its genre, Die Hard provided a template for how to tell a suspenseful action adventure with
June 7, 2017, 04:27 AM
http://saeditores.org/Novedades/El-silencio-de-los...
Puede pensarse que los editores más experimentados, con larga trayectoria en Hollywood, nunca dudan acerca de cómo componer una escena. Sin embargo, no siempre es así y en ocasiones lo fortuito se cuela para traer la solución a la construcción de una secuencia. En esta segunda parte de sus anécdotas acerca de la edición de El silencio de los inocentes (1991, Jonathan Demme), Craig McKay (ACE) describe el camino recorrido en el planteo del montaje paralelo en una secuencia de la pe...
June 7, 2017, 04:27 AM
http://www.indiewire.com/2017/06/javier-bardem-pir...
MPC came up with special underwater visual effects for Javier Bardem's Salazar and his ghostly crew in the latest "Pirates" directed by Joachim Rønning and Espen Sandberg.
June 6, 2017, 07:20 PM
http://filmklippere.com/wp/2017/06/elin-martinsen/
Elin Martinsen Hvem er du? Ja hvem er jeg? Det hender det jeg lurer på selv også….men jeg heter i alle fall Elin Martinsen og er 39 år gammel (og det er en alder jeg tenker og ha noen år framover). Jeg gikk ut av klippelinjen på filmskolen som kull 3, og for tiden jobber […]
June 6, 2017, 12:32 PM
https://americancinemaeditors.org/baby-driver/
Edgar Wright’s bank heist thriller, Baby Driver, from TriStar Pictures tells the story of a talented young getaway driver named
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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