It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 6, 2017, 09:15 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Justice will be served, Joker.” — Batman ...
June 6, 2017, 05:38 AM
https://americancinemaeditors.org/animation-showca...
Both comedic and heartwarming, The Boss Baby, directed by Tom McGrath (Madagascar), follows seven-year-old Tim on an adventure with his
June 6, 2017, 05:38 AM
http://alex4d.com/notes/item/using-adjustment-laye...
Here’s an interesting use of my Alex4D Adjustment Layer to label scenes using different colours: Rough cut for doc @theriftwalk making use of @Alex4D's Adjustment Layer as coloured scene markers #timelinetuesday #FCPX pic.twitter.com/PDkLYdMn7K — Will Honeyball (@willhoneyball) June 6, 2017 Will uses the new coloured Roles features introduced in Final Cut Pro X 10.3. Download Alex4D Adjustment Layer from my old free Final Cut Pro X plugins site. More on assigning roles to clips a...
June 6, 2017, 05:37 AM
http://designingsound.org/2017/06/creative-sound-d...
Guest Post by: Vincenzo Bellanova INTRODUCTION: Creative recordings, unconventional objects, perfect spots, analogue gear or the perfect tools, are all important topics when approaching to sound design. But how can we completely morph sounds and be extremely creative inside the box? Do we always need a lot of tools to accomplish our goal? In this article […]
June 6, 2017, 05:37 AM
https://americancinemaeditors.org/john-travers/
On a rainy Sunday in January an exclusive group of friends and associates gathered at the historic Egyptian Theatre where
June 6, 2017, 05:37 AM
http://www.cgchannel.com/2017/06/apple-unveils-the...
Apple has unveiled the iMac Pro, an “entirely new workstation-class product line” aimed at graphics pros.
June 5, 2017, 04:52 PM
https://americancinemaeditors.org/art-of-the-cut/
Steve Hullfish’s Art of the Cut is a unique look at the techniques employed in film editing as explained by
June 5, 2017, 04:52 PM
https://americancinemaeditors.org/first-impression...
In order to minimize lab costs in the days of film, takes of shots were called out by the director
June 5, 2017, 04:51 PM
https://jeffvlog.wordpress.com/2017/06/05/how-to-r...
Lighting for people with glasses can be pretty tricky, whether you’re shooting video or photos. At Wistia, we’ll usually raise our two key lights up as high as possible and angle them slightly away from the camera to minimize glare. Check out the silent video example below to see the difference it can make! A lot of times this will fix the glare problem, but it can also cause other issues. Watch out for harsh shadows on the talent.
June 5, 2017, 11:57 AM
http://www.broadcastbeat.com/fusefx-provides-vfx-f...
LOS ANGELES— The FuseFX Los Angeles crew recently provided visual effects services for two projects by Oscar-winning writer/producer/director John Ridley – the anthology series American Crime and the feature-length documentary Let It Fall, which aired April 28. The studio served as the sole visual effects provider for the third season of American Crime, which included ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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