It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 12, 2019, 09:37 AM
http://endcrawl.com/blog/tragedy-of-images/
In 1971, the fetishizing of firearms in American cinema entered a provocative new phase when Clint Eastwood unholstered his Smith & Wesson Model 29, pointed its sleek, 8⅜-inch black-steel barrel at Albert Popwell’s head and inquired as to the gentleman’s sense of good fortune.
July 12, 2019, 09:36 AM
http://www.avidblogs.com/pro-tools-pricing-demysti...
The post Pro Tools Pricing Demystified appeared first on Avid Blogs.
July 12, 2019, 09:36 AM
https://www.productionhub.com/blog/post/sound-reco...
Pete Lee is not new to working in the rugged wild. Adventure is second nature to him. A look at his resume shows the challenges he’s used to — Sound Supervisor on Special Forces: Ultimate Hell Week, Sound Recordist on Trailblazers TV Series, Sound on Man Vs. Wild Series and the list goes on. So when he was called on to scale the world’s highest free-standing mountain, while providing sound, Pete was in.
July 12, 2019, 04:55 AM
https://postperspective.com/creating-foley-for-fxs...
Alchemy Post Sound created Foley for Fosse/Verdon, FX’s miniseries about choreographer Bob Fosse (Sam Rockwell) and his collaborator and wife, the singer/dancer Gwen Verdon (Michelle Williams). Working under the direction of supervising sound editors Daniel Timmons and Tony Volante, Foley artist Leslie Bloome and his team performed and recorded hundreds of custom sound effects to support the show’s dance sequences and add realistic ambience to its historic settings. Continue reading →...
July 11, 2019, 12:37 PM
http://www.btlnews.com/crafts/post-production/spid...
Post-production sound from this summer’s film from Columbia Pictures, in association with Marvel Studios, Spider-Man: Far From Home, was completed by Sony Pictures Post Production Services. Supervising Sound Editor & Sound Designer Steven Ticknor, Re-Recording Mixer and Supervising Sound Editor & Sound Designer Tony Lamberti and Re-Recording Mixer Kevin O’Connell led a team of veteran […] The post Spider-Man: Far From Home Sound Completed with Sony Pictures Services appeared first on ...
July 11, 2019, 09:17 AM
http://www.fcp.co/final-cut-pro/articles/2195-edit...
Emmanuel Tenenbaum's excellent short film Two Dollars is this week's Vimeo Staff Pick. It was edited on Final Cut Pro X on a 2013 MacBook Pro.
July 11, 2019, 09:17 AM
http://www.fcp.co/final-cut-pro/news/2194-macbook-...
Well, you can't knock Apple at the moment when it comes to upgrading the hardware. Hot on the heels of the 8 core MacBook Pro is an update to the MacBook Air and 13 inch entry level MacBook Pro.
July 11, 2019, 06:03 AM
https://www.provideocoalition.com/aotc-pavarotti/
Paul Crowder, ACE is a London-born, L.A.-based editor. I last spoke with him when he edited Ron Howard’s fantastic tribute to the Fab Four: “The Beatles: Eight Days a Week – The Touring Years.” Before cutting “Eight Days,” Paul edited and directed dozens of documentaries and shows and was probably most famously associated with the... The post ART OF THE CUT with documentary editor Paul Crowder, ACE appeared first on ProVideo Coalition.
July 11, 2019, 06:03 AM
https://www.studiodaily.com/2019/07/editor-nate-ca...
Editor Nate Cali has joined Los Angeles editorial and post-production house PS260. Most recently, Cali was cutting projects at Nomad Editing Company. “We’re excited to welcome Nate to our team in L.A., as his background and creative editorial track record will be a major value-add for clients,” said PS260 Co-Founder and Editor JJ Lask in […] The post Editor Nate Cali Joins L.A.’s PS260 appeared first on Studio Daily.
July 10, 2019, 12:20 PM
https://www.provideocoalition.com/foundry-at-digip...
At DigiPro 2019, Foundry’s Head of Research Dan Ring will be presenting on “Jumping in at the Deep End: How to Experiment with Machine Learning in Post-Production Software”. The 8th DigiPro, or Digital Production Symposium 2019, happens in Los Angeles on 27 July 2019, as part of SIGGRAPH 2019. The event is an open window... The post Foundry at DigiPro 2019: Machine Learning in Post-Production Software appeared first on ProVideo Coalition.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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