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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Will Real-Time Digital Sets Replace Green Screens?

February 9, 2021, 01:49 PM

https://www.premiumbeat.com/blog/realtime-digital-...

Disney, Netflix, Amazon, Paramount, and more are betting big on digital sets, Volumes, and digital set extensions. Let's take a look.

VFX Side Quest | Creating A Retro Video Game Look

February 6, 2021, 02:04 PM

http://feeds.redgiantsoftware.com/~r/redroomblog/~...

Hashi a.k.a. Action Movie Dad takes you on a trip down 16-bit memory lane in a totally rad new VFX Side Quest, walking you through some simple techniques to turn your modern footage into a retro 16-bit video game using Adobe After Effects and Red Giant tools. The post VFX Side Quest | Creating A Retro Video Game Look appeared first on Red Giant.

HP Reverb G2: a great Virtual Reality headset… w

February 3, 2021, 01:31 PM

https://www.provideocoalition.com/hp-reverb-g2-a-g...

With so many things happening in “virtual”, 2021 is the year to buy a VR headset. Among the contenders for your money is the second Reverb headset from HP, the Reverb G2. But should you buy it? Announced last year, the second Reverb from HP, the G2, is a beast in terms of VR headsets [...]Read More...

VFX/CG talent Thomas Connors joins ArsenalCreative

January 5, 2021, 01:58 PM

http://www.postmagazine.com/Press-Center/Daily-New...

SANTA MONICA, CA — 3D artist Thomas Connors has been named VFX supervisor/CG generalist at ArsenalCreative (http://afx.tv). The appointment by founder Mark Leiss is effective immediately. Connors has 20 years of experience in creating CG for high-end visual effects, and has carved out a niche in modeling and texture elements for CG environments for television and the automotive industry. 

ArsenalCreative Adds VFX Supervisor Thomas Connors

January 5, 2021, 01:56 PM

https://postperspective.com/arsenalcreative-adds-v...

Thomas Connors has joined Santa Monica’s ArsenalCreative as VFX supervisor/CG generalist. With 20 years of experience, Connors specializes in modeling and texture elements for CG environments for television and the automotive industry. Most recently, Connors was the CG supervisor at Picture Shop/Ghost FX in Burbank where for three and a half years he worked on notable projects such as Walking Dead, Continue reading → January 4, 2021 The post ArsenalCreative Adds VFX Supervisor Thomas...

Creating VFX for the Dystopian thriller Songbird

December 22, 2020, 02:17 PM

https://postperspective.com/creating-vfx-for-the-d...

Visualization and visual effects company OPSIS recently called on VFX Legion to help on Songbird, director Adam Mason’s new dystopian thriller from producer Michael Bay. As the film’s primary visual effects vendor, OPSIS provided end-to-end services — from concept, previz and postviz to finalizing VFX shots. OPSIS integrated VFX Legion into its team, Continue reading → December 21, 2020 The post Creating VFX for the Dystopian thriller Songbird appeared first on postPerspective.

OWC Named As CES 2021 Innovation Awards Honoree

December 18, 2020, 01:52 PM

https://lappg.com/2020/12/17/owc-named-as-ces-2021...

Tech leader wins CES awards for Envoy Pro Elektron, ThunderBay Flex 8, and Envoy Express OWC®, the premier zero-emissions Mac and PC technology company, and a respected provider of Memory, External Drives, SSDs, Mac & PC docking solutions, and performance upgrade kits today announced that it has been named a CES® 2021 Innovation Awards Honoree for Envoy Pro Elektron, ThunderBay Flex 8 and … OWC Named As CES 2021 Innovation Awards Honoree Read More »

Aging an actor with Adobe Sensei and Mocha Pro 202

December 16, 2020, 01:48 PM

https://www.provideocoalition.com/aging-an-actor-w...

In the age of 4K and beyond, it’s very hard to convincingly make an actor look old using practical prosthetics and make-up. When practical effects are used, they’re often erased and replaced in post because the defects show up on the 4K screen. The solution has been to turn to VFX wizardry made popular by [...]Read More...

BEHIND MANK’S INVISIBLE VISUAL EFFECTS

December 14, 2020, 02:11 PM

https://beforesandafters.com/2020/12/14/mank-vfx-b...

I recently had the chance to ask Territory Studio about their visual effects work for Mank, which involved the re-creation of Wilshire Blvd from the 1930s. Like those shots, so much of Mank’s VFX work was invisible, involving subtle augmentations to tell the period story.

VFX Storage: Pixomondo and Framestore

November 18, 2020, 01:34 PM

https://postperspective.com/vfx-storage-pixomondo-...

By Karen Moltenbrey For studios delivering visual effects, storage is an important and necessary step in the overall process. Artists need unfettered access to files, and any kink in the chain can lead to unnecessary headaches in terms of delays, or worse. Now, remote workflow due to COVID-19 restrictions has added yet one more concern for those maintaining their studio’s storage systems as they ensure problem-free access to files. Continue reading → November 17, 2020 The post VFX St...

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