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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Dave De Carlo’s VFX and Editorial Is The Right M

May 2, 2017, 06:06 AM

https://roosterpost.wordpress.com/2017/05/01/dave-...

Dave De Carlo’s visual effects expertise is just as impressive as his editorial skills. When the creative for Bud Light Radler dictated the need for an on-set visual effects supervisor, Dave De Carlo provided the perfect combination of technical VFX and creative storytelling for Anomaly and client Bud Light. Client: Bud Light Radler Name of Commercial: […]

SNL VFX Featurette Reveals Impressive Work Done on

May 2, 2017, 05:55 AM

http://www.slashfilm.com/saturday-night-live-vfx-f...

When it comes to examining a show like Saturday Night Live, it’s easy to only pay attention to the comedy and performances. After all, people watch the staple late night sketch series for laughs. But because the show is live where anything can happen, that makes the technical achievements behind the scenes even more impressive.

NAB 2017: G-Technology's Greg Crosby

May 1, 2017, 04:40 PM

https://www.youtube.com/watch?v=i6tBujYaXOo

Greg Crosby at NAB talking about new G-Technology products that embrace Thunderbolt 3, including their G-RAID line.

NAB 2017: The Future of VR Technology Is Looking B

May 1, 2017, 06:03 AM

https://www.premiumbeat.com/blog/nab-2017-latest-v...

Virtual Reality was big at NAB 2017. Let's check out some of the latest news and biggest announcements in VR.

Curso *VFX para editores*, por Santiago Svirsky y

May 1, 2017, 06:03 AM

http://saeditores.org/Novedades/Curso-VFX-para-edi...

La Comisión de Cultura y Desarrollo Profesional de la SAE abre la inscripción al curso VFX para editores, dictado por Santiago Svirsky y Bruno Fauceglia.Se desarrollará en dos jornadas, los días sábado 13 y 20 de mayo, de 14:00 a 18:00 horas en el Auditorio Cendas, Bulnes 1350, Ciudad Autónoma de Buenos Aires...

Laura Bierbrauer recibió el Premio al Mejor Monta

May 1, 2017, 06:03 AM

http://saeditores.org/Novedades/Laura-Bierbrauer-r...

En el marco de la entrega de premios del 19° BAFICI, Laura Bierbrauer, junto a las directoras Sofía Brockenshire y Verena Kuri, recibieron el Premio al Mejor Montaje de Película de la Competencia Oficial Argentina, por la película Una hermana...

6 Free, Cross-Platform Video Editing Applications

April 30, 2017, 06:33 AM

https://www.lifehacker.com.au/2017/04/6-free-cross...

It was once the case that if you wanted to do serious video editing, your choices were limited. Outside of expensive commercial options from the likes of Sony and Adobe, you'd have to make do with Windows Movie Maker... or worse. These days, free options abound. The hardest part is actually picking one.

PREMIO A “MEJOR MONTAJE” DE LA COMPETENCIA ARG

April 30, 2017, 05:28 AM

https://edaeditores.org/premio-a-mejor-montaje-de-...

Dentro del macro del 19 BAFICI, Buenos Aires Festival Internacional de Cine Independiente y por tercer año consecutivo EDA y SAE otorgaron el Premio al Mejor Montaje de película Argentina en competencia. La película ganadora fue Una hermana. Editada por Laura Bierbrauer, Sofía Brockenshire y Verena Kuri. Una película con una estructura narrativa no lineal y sensorial, en la […]

Have a Look at Houdini 16’s New Shading Features

April 30, 2017, 05:28 AM

http://lesterbanks.com/2017/04/look-houdini-16s-ne...

Kai Stavginski is a Senior Technical Director for SideFX, working on Houdini. Here, he covers the new shading features that are available with Houdini 16. Kai looks at the Principled Shader, Houdini’s Classic Shader, Absorption, The Post Have a Look at Houdini 16’s New Shading Features originally appeared and published on %%BLOGLINK%,by lesterbanks

4 Premiere Pro Tips that Save Time

April 28, 2017, 11:34 AM

https://www.premiumbeat.com/blog/save-time-premier...

Looking to save time in Premiere Pro CC? These quick tips can speed up your workflow.

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