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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

FX Tip: Broadcast Lower Thirds

August 14, 2015, 05:53 AM

http://tracking.feedpress.it/link/9766/1629550

  Here to Show the World Lower thirds are indispensable in broadcast, documentary and reality TV. Free lower third templates found on the Internet can range from poor to excellent but when you need something new there's nothing like creating your own. With a little inspiration and Titler Pro 4 in hand, we've created a tutorial to help you make your own lower thirds for broadcast purposes, whether it be on your emerging Youtube webshow or news broadcast.

Head in the sand – or ahead in the Cloud?

August 14, 2015, 05:52 AM

http://aframe.com/blog/2015/08/head-in-the-sand-or...

Cloud computing, forecast to become a $150 billion industry by the end of 2015, is not only growing, it is transforming almost every industry. And it could transform TV and broadcast media too. Although the cloud is increasingly being used to help companies distribute media to content delivery networks and social media, it’s not yet... Read More

Final Cut Pro X v Adobe Premiere Pro render and ex

August 14, 2015, 05:52 AM

http://www.fcp.co/final-cut-pro/articles/1710-fina...

Final Cut Pro X's speed and thus the benefits are gradually becoming recognised by editors in the industry. So on a new Retina MacBook Pro, how does Adobe's Premiere Pro match up to FCPX's performance, especially with 4K? Badly as Max Yuryev found out in his video. We are looking forward to the comments about this one!

MotionElements announces exponential growth to 500

August 14, 2015, 05:52 AM

http://www.motionelements.com/blog/articles/motion...

Ever since October, 2014 when MotionElements.com explod […]

2048x1152 is a Total Crock

August 13, 2015, 12:37 PM

http://endcrawl.com/blog/2048x1152-is-a-total-croc...

If you are doing your final post finishing in 2048×1152, you are actually hurting your picture, and you should stop at once. Here’s why.

Tips for Editing Travel Videos While Abroad

August 13, 2015, 09:19 AM

http://www.premiumbeat.com/blog/tips-editing-trave...

Away from your editing bay? Here are a few handy tips for editing travel videos on the go.

Apple’s Final Cut Pro X timecode overlays experi

August 13, 2015, 09:18 AM

http://alex4d.com/notes/item/apple-fcpx-tc-experim...

For many years Final Cut users have been asking Apple for an overlay layer that shows the timecode of clips at the play head. Chris Hocking of LateNite Films tweeted some evidence of some Apple experimentation: @cailyoung @Alex4D Interestingly, enabling 'Guards' also enables timecode overlays, which is pretty handy! pic.twitter.com/ab02JbKkRj — LateNite Films (@latenitefilms) August 13, 2015 You can only enable Guards in Final Cut by accessing the Debug preferences. If you want to ...

Testing the new 2015 Retina MacBook Pro with Final

August 13, 2015, 09:18 AM

http://www.fcp.co/hardware-and-software/1709-testi...

We've been the proud owner of a Retina MacBook Pro as soon as we could get our hands on one after they were announced in 2012. So how does the latest model from Apple compare? Has it changed much, is it quicker and is it worth changing to? We experiment.

5 Habits to Get Those Creative Juices Flowing

August 13, 2015, 05:40 AM

https://screencraft.org/2015/08/12/5-habits-to-get...

We’ve all been there, haven’t we? We’ve carved out some time from our daily lives to finally sit down and write. We’ve nabbed that coveted table at the local coffee shop or book store. Or maybe we’ve finally gotten the kids out of the house. Or perhaps it’s in the wee hours of the dark, quiet, and peaceful night…

Interview with Tim Bevan of Working Title Films: W

August 13, 2015, 05:37 AM

http://masteringfilm.com/interview-with-tim-bevan-...

The following is an excerpt from an interview with Tim Bevan featured in FilmCraft:Producing. In commercial terms, Working Title Films, the production company that Tim Bevan helped found and co-chairs, is the most successful UK outfit of its generation. From Bridget Jones’s Diary (2001) to Four Weddings and a Funeral (1994), Notting Hill (1999), and...

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