It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 27, 2019, 12:18 PM
https://lesterbanks.com/2019/05/techniques-for-dep...
Chetal Gazdar covers how to achieve depth projection in Nuke. A while back, tutorial author Chetal Gazdar posted a look into creating camera and depth projection with Black Magic Design Fusion. The tutorial looks at
May 27, 2019, 12:18 PM
https://fxfactory.com/blog/effects-2/instant-anima...
Animate text, graphics and create image transitions with just drag and drop.
May 27, 2019, 12:17 PM
https://beforesandafters.com/2019/05/28/creatures-...
Weta Digital handled a lot of complex visual effects work in the final season of Game of Thrones, totalling some 600 shots. To get a sense of how some of that broke down, befores & afters talked to visual effects supervisor Martin Hill about three particular aspects of the work: creatures, fire and atmospherics. Come with us on a visual journey through this work to find out how it was accomplished on a very large scale.
May 25, 2019, 08:15 AM
https://www.screeneditors.com.au/2019-awards-accre...
2019 ELLIE AWARDS The 2019 Ellie Awards are now open for entry! For more information, check out the ASE Awards 2019 Guidelines. Don't leave it to the last minute - take advantage of the discounted Early Bird rate. 2019 ACCREDITATION Have you been thinking about applying for ASE Accreditation? Applications are open now! The […]
May 24, 2019, 09:14 AM
https://www.digitalproductionbuzz.com/2019/05/tran...
HOST Larry Jordan GUESTS Dave Walton, Assistant VP, Marketing Communications, JVC/Kenwood USA, Corporation Piet Thiele, Product Manager CINE, Schneider-Kreuznach Marcelo Lewin, Founder, HowToCreateVR.com Steve Weiss, Creative Director, Zacuto James DeRuvo, Editor-in-Chief, doddleNEWS == Larry Jordan: Tonight on the Buzz, we look at the state of production technology today.… The post Transcript: Digital Production Buzz – May 23, 2019 appeared first on Digital Production BuZZ.
May 24, 2019, 05:54 AM
https://beforesandafters.com/2019/05/24/jar-jar-bi...
Whatever you think of Jar Jar Binks – the fully computer-generated Gungan played by Ahmed Best and crafted by ILM for The Phantom Menace – he was a game-changer in visual effects. It was, essentially, the first main CG character in a feature film, one brought to life by Best performing on set with the other actors and via motion capture.
May 24, 2019, 05:54 AM
https://blogs.creativecow.net/blog/14914/create-an...
Motion Graphics Tutorial Series | Learn how to Create an LED Logo Animation in Adobe After Effects without any third party plugins...
May 24, 2019, 05:52 AM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Framestore (www.framestore.com) has appointed veteran VFX pro John Kilshaw senior VFX supervisor and creative director for television. He will be based in New York and will continue to build the studio’s presence within episodic television.
May 23, 2019, 08:21 AM
http://www.postmagazine.com/Press-Center/Daily-New...
HOLLYWOOD — In a move to bring high-end visual effects services to content producers anywhere, and at lower costs, VFX studio Engine Room has launched QuickFX.com, a cloud-based service platform.
May 23, 2019, 08:20 AM
http://www.fcp.co/final-cut-pro/articles/2180-simp...
A user story very close to our heart at FCP.co. Winston Cely describes how his pupils at a school are using Final Cut Pro X to tell their stories. He also tells us how custom music gives them more freedom and choice for their productions.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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