It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 23, 2019, 06:16 AM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Howard Bowler, the founder of audio post house HOBO (www.hoboaudio.com), has announced the launch of HOBO Films, a long-form original content development company. Bowler is also the founder and president of Green Point Creative, a marijuana advocacy branding agency. In conjunction with the launch of the company, and last weekend’s 420 day, he has released the first five-minutes from a new scripted, dramatic, coming-of-age story set against the backdrop of the war on drugs...
April 23, 2019, 06:16 AM
https://fxfactory.com/blog/effects-2/clearvoiceove...
Create clean, crisp and easy to understand voiceovers by removing clashing frequencies from your background music.
April 23, 2019, 06:15 AM
https://postperspective.com/review-maxon-cinema-4d...
By Brady Betzel Last August, Maxon made available its Cinema 4D Release 20. From the new node-based Material Editor to the all new console used to debug and develop scripts, Maxon has really upped the ante. At the recent NAB show, Maxon announced that they acquired Redshift Rendering Technologies, Continue reading → April 22, 2019 The post Review: Maxon Cinema 4D Release 20 appeared first on Randi Altman's postPerspective.
April 23, 2019, 06:15 AM
http://www.studiodaily.com/2019/04/editing-spider-...
“Animation is an iterative process, and it’s changing every step of the way,” said editor Robert Fisher Jr. at NAB earlier this month, discussing the creative collaboration that brought the widely acclaimed animated feature Spider-Man: Into the Spider-Verse to movie theater screens last year. To illustrate his point, Fisher came to a Monday morning panel […] The post Editing in the Spider-Verse: How Key Scenes Changed on the Way to the Screen appeared first on Studio Daily.
April 23, 2019, 06:13 AM
https://www.provideocoalition.com/vr-and-360-more-...
The 18th annual Tribeca Film Festival will celebrate excellence in branded storytelling through its Tribeca X Award, this year expanding to 4 categories: best feature film, short film, episodic, and VR. Virtual Reality is not dead. Although there was not much talk about its technology at NAB 2019, it may well gain momentum this year,... The post VR and 360: more than 30 immersive experiences at Tribeca Film Festival appeared first on ProVideo Coalition.
April 22, 2019, 06:23 AM
https://beforesandafters.com/2019/04/22/going-back...
PLEASANTVILLE VISUAL EFFECTS SUPERVISOR CHRIS WATTS ON BRINGING THROUGH A REVOLUTION IN SCANNING/FILM-OUTS, THE UNEXPECTED USE OF SHAKE, AND THE FILM’S HARDEST SHOTS (THEY’RE NOT WHAT YOU THINK).
April 22, 2019, 06:23 AM
https://www.provideocoalition.com/random-thoughts-...
Was NAB 2019 boring? Maybe. Admittedly I did spend a lot of time upstairs in the South Hall teaching classes for Post|Production World. But after walking the show floor several times and talking to a lot of fellow NAB attendees the verdict was a resounding … shoulder shrug. On the post-production side of things by... The post Random thoughts on NAB 2019, my saddest NAB ever appeared first on ProVideo Coalition.
April 22, 2019, 06:23 AM
http://www.philiphodgetts.com/2019/04/how-to-teach...
In a follow up Tweet to my comments about Resolve 16, the Tweeter suggested they could use the Neural Engine to “improve translation of XML from other apps,” which led me to spend a little time (oversimplifying) how we train Machines for Machine learning. There are three approaches: training sets, oppositional training, simple goal. Most […]
April 21, 2019, 07:28 AM
https://www.screeneditors.com.au/mining-the-story-...
Trybooking link: https://www.trybooking.com/book/event?eid=494674
April 21, 2019, 07:28 AM
https://www.provideocoalition.com/art-of-the-cut-w...
Phyllis Housen, ACE has been a feature film editor since the early ’90s, including Cargo, To Whom it May Concern, and Dream for an Insomniac. She was also an assistant editor under the legendary editor, Sally Menke, ACE, on the Tarantino Kill Bill films. In addition to her narrative feature film and TV work, she... The post ART OF THE CUT with Phyllis Housen, ACE, editor of “Clemency” appeared first on ProVideo Coalition.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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