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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Transcript: Digital Production Buzz – January 25

January 26, 2018, 11:18 AM

http://www.digitalproductionbuzz.com/2018/01/trans...

HOST Larry Jordan GUESTS Maxim Jago, Director, MaximJago.com Chuck Parker, Executive Director, Art Directors Guild, IATSE Local 800 Mark Andrew Reyes, Lead Theatre Technician, Hillcrest Center for the Arts Marti Romances, Creative Director, Territory Studio (San Francisco) Jayse Hansen, Fictional UI Designer for Film, jayse.tv James DeRuvo, Editor-in-Chief, DoddleNEWS == Male Voiceover: The Digital Production Buzz is brought to you by KeyFlow Pro.… The post Transcript: Digital P...

3D Sports Graphics for Final Cut Pro X

January 26, 2018, 11:17 AM

https://fxfactory.com/blog/effects-2/3d-sports-gra...

24 professionally designed broadcast quality templates for sports TV and video production.

THE COMMUTER: Steve Begg - Overall VFX Supervisor

January 26, 2018, 11:17 AM

http://www.artofvfx.com/the-commuter-steve-begg-ov...

In 2015, Steve Begg explained his work on SPECTRE. He talks to us today about his work on THE COMMUTER.

Week in Premiere 1/26/18

January 26, 2018, 04:43 AM

http://www.premierebro.com/weekinpr/week-in-premie...

PREMIERE PRO WEEK IN REVIEW: Premiere Pro 12.0.1 Update Now Available • Support for Variable Frame Rate in Premiere Pro • Free Month of Sapphire Tutorials on Lynda.com • Four Sundance Films Edited in Premiere Pro

Making relative Adobe asset paths work in Post Has

January 26, 2018, 04:23 AM

http://www.digitalrebellion.com/blog/posts/making_...

If you're using Post Haste to create templates for your Adobe project files, you may have run into an issue where the project file still points to assets in their original location on disk, not relative to the template path. Here's how to get relative paths working: Create a new folder to temporarily store the files. Recreate the relevant folders from your template. So if you store video in a Media folder and the project file in a Projects folder, create those folders inside the new ...

Film Editor Tatiana S. Riegel, ACE, Explains How I

January 25, 2018, 07:59 PM

http://www.studiodaily.com/2018/01/film-editor-tat...

As she sat down to chat with StudioDaily for the Podcasts from the Front Lines series, editor Tatiana S. Riegel, ACE, was only a few days away from an Academy Award nomination for her work cutting together Craig Gillespie’s new film, I, Tonya. Having no idea that honor was coming her way on the heels […] The post Film Editor Tatiana S. Riegel, ACE, Explains How I, Tonya Came Together appeared first on Studio Daily.

Genelec’s intros The Ones series of near-field m

January 25, 2018, 01:07 PM

http://postperspective.com/genelecs-intros-ones-se...

Genelec is now offering point source monitoring with The Ones series, featuring their established 8351 three-way monitor along with the new 8341 and 8331. These small three-way coaxial monitors are housed in enclosures no larger than a traditional two-way Genelec 8040 or 8030. This coaxial driver design provides accurate imaging and improved sound quality, Continue reading → January 25, 2018 The post Genelec’s intros The Ones series of near-field monitors appeared first on Randi Altman...

Emerging LA Filmmakers Create Short Films with Sma

January 25, 2018, 01:07 PM

http://www.fcp.co/final-cut-pro/articles/2034-emer...

MacBook Pro, Final Cut Pro X and the LA Film Community Boost Local Productions. A great FCPX user story that shows there really is no barrier to shooting and editing your own high quality film.

ACE Awards Honor ‘Breaking Bad’s’ Vince Gill

January 25, 2018, 10:28 AM

http://variety.com/2018/artisans/awards/ace-awards...

When American Cinema Editors holds its annual ACE Eddie Awards event on Jan. 26 at the Beverly Hilton hotel, three distinguished industry figures will take the stage to accept their well-deserved honors.

Premiere Pro 12.0.1: VFR and New Features

January 25, 2018, 08:31 AM

http://www.premierebro.com/blog/premiere-pro-1201-...

SUPPORT FOR VARIABLE FRAME RATE, IMPROVEMENTS TO SHARED PROJECTS, AND OTHER GEMS IN THE 12.0.1 UPDATE FOR PREMIERE PRO CC. The 12.0.1 update for Premiere Pro CC 2018 adds support for Variable Frame Rate. But that's not all! In this post we break down all of the new features tucked away in this sweet little Premiere Pro update.

#editing#adobe#premiere pro#creative cloud#adobe premiere

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