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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Michael Cioni: The State of the Digital Union - NA

April 16, 2019, 09:14 AM

http://www.fcp.co/final-cut-pro/articles/2169-mich...

We publish the first in a set of videos from the Faster Together stage at NAB 2019. We start with an inspirational presentation from Michael Cioni, Senior VP of Innovation at Panavision. He takes a long hard look into the future.

Head-Up Display Effects for Final Cut Pro

April 16, 2019, 09:14 AM

https://fxfactory.com/blog/effects-2/head-up-displ...

50 motion-trackable Head-Up Display elements to create sci-fi displays, interfaces and callouts.

Ana Godoy recibió el Premio al Mejor Montaje en e

April 16, 2019, 06:18 AM

http://saeditores.org/Novedades/Ana-Godoy-recibio-...

En el marco del 21° BAFICI, Ana Godoy recibió el Premio al Mejor Montaje de Película de la Competencia Oficial Argentina por su tarea en la película La vida en común, dirigida por Ezequiel Yanco.

Tech preview: Cubic Motion’s Persona

April 16, 2019, 06:18 AM

https://beforesandafters.com/2019/04/16/tech-previ...

If you’ve seen the Siren, Meet Mike or Hellblade: Senua’s Sacrifice digital human demos, then you’ve already witnessed the kinds of impressive real-time facial animation technology that Cubic Motion is known for.

Behind the Title: PS260 editor Ned Borgman

April 16, 2019, 06:17 AM

https://postperspective.com/behind-the-title-ps260...

This editor’s path began early. “I was the kid who would talk during the TV show and then pay attention to the commercials,” he says. Name: Ned Borgman Company: PS260 Can you describe your company? PS260 is a post house built for ideas, Continue reading → April 15, 2019 The post Behind the Title: PS260 editor Ned Borgman appeared first on Randi Altman's postPerspective.

I Am Grateful for My Friends

April 16, 2019, 06:17 AM

http://www.philiphodgetts.com/2019/04/i-am-gratefu...

Driving back from NAB last week I realized how grateful I am to my friends, not only for their friendship, but what I’ve learnt from them. From Larry Jordan I’ve learned to be a better talk show guest. Larry always makes sure his audience “keep up” with the conversation, and has frequently guided me to […]

Spider-Man: Into the Spider-Verse (2018)

April 15, 2019, 12:35 PM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“Look, I'm a comic book, I'm a cereal, did a Christmas album. I have an excellent theme song.” — Peter Parker ...

How do you make VFX for a history that didn’t ex

April 15, 2019, 06:28 AM

https://beforesandafters.com/2019/04/15/how-do-you...

Amazon’s The Man in the High Castle is the story of an alternative early 1960’s in which World War II ended differently, and the United States has been divided into the Greater Nazi Reich and the Japanese Pacific States. For the show’s visual effects team, that premise created the need to help devise imagery – such as locations, vehicles and events – that appeared to be of historical accuracy.

Burning questions about the DaVinci Resolve Editor

April 15, 2019, 06:28 AM

https://www.provideocoalition.com/burning-question...

Let’s talk about the DaVinci Resolve Editor Keyboard. It was a big surprise at NAB 2019 because let’s be honest, editors don’t often get hardware products dedicated to editing. We get software out the wazoo, both big and small, but the time and expense to create a hardware device is probably much greater than many... The post Burning questions about the DaVinci Resolve Editor Keyboard appeared first on ProVideo Coalition.

ART OF THE CUT with Oscar winner, Paul Hirsch, ACE

April 14, 2019, 06:12 AM

https://www.provideocoalition.com/art-of-the-cut-w...

Paul Hirsch, ACE has edited some of the most iconic films in cinema history: Carrie, Star Wars; Star Wars: The Empire Strikes Back; Ferris Bueller’s Day Off; Planes, Trains and Automobiles; Mission: Impossible; Ray; and The Mummy among many, many others in a career that goes back 50 years. We spoke about a wide range... The post ART OF THE CUT with Oscar winner, Paul Hirsch, ACE appeared first on ProVideo Coalition.

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