To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Pro Tip: Add 3D Text in Final Cut Pro X
October 8, 2015, 10:29 AM
http://www.premiumbeat.com/blog/pro-tip-add-3d-tex...
If you haven't been using FCPX, you may have missed how great some of the new features are. Here's how you can simply drag and drop 3D text into your video!
Adobe MAX 2105: Sneaks Hint At Image Automation
October 8, 2015, 10:26 AM
http://news.doddleme.com/blogs/post-production/ado...
Imagine being able to take a picture of something with your mobile phone, and then through Adobe Creative Sync, send that image to Photoshop, convert it to a 3D model and then print it on a 3D printer. Wouldn’t that be incredible? And speaking of that, Adobe is also promising that in the future, you’ll be able to get rid of those pesky photobombs. That’s just a few of the bleeding edge features that Adobe has given us a peak of this week at Adobe MAX.
Leading the Line: How Avid Helped to Tell the Stor
October 8, 2015, 04:33 AM
http://www.avidblogs.com/how-avid-helped-to-tell-t...
The article Leading the Line: How Avid Helped to Tell the Story of the Real Wayne Rooney by Julian Nelson appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
Automatic Duck’s Wes Plate talks about building
October 7, 2015, 06:39 PM
http://postperspective.com/automatic-ducks-wes-pla...
By Randi Altman If you’ve worked in post production during the past 14 years, there is a very good chance you know Automatic Duck and its president, Wes Plate. Over their time in business, Wes and his father, Harry, have created a number of software tools designed to make different programs and formats work together… the ultimate facilitators. In 2011, Automatic Duck licensed its technology to Adobe, and Wes joined them as head of its Prelude team. While Adobe had acquired the technolo...
Quick Tip: Saving Stills in After Effects
October 7, 2015, 09:30 AM
http://www.premiumbeat.com/blog/quick-tip-saving-s...
Need to save a still image out of After Effects? Just follow these quick steps.
Screen replacement and creating alternate storylin
October 7, 2015, 05:16 AM
http://www.fcp.co/final-cut-pro/tutorials/1729-scr...
Two new tutorials from Ripple this week. We look at replacing an iPad screen with the TrackX plugin and creating alternate storylines in FCPX.
Editor Pietro Scalia on Cutting The Martian
October 6, 2015, 04:50 PM
http://www.studiodaily.com/2015/10/editor-pietro-s...
The Martian, directed by Ridley Scott and starring Matt Damon as astronaut Mark Watney, is more science "faction" than fiction, as Damon referred to it during a recent TV interview, a visually arresting, funny, sometimes goofy but mostly gripping film … more » The post Editor Pietro Scalia on Cutting The Martian appeared first on Studio Daily.
Rampant Motion Graphics for Editors v2
October 6, 2015, 04:49 PM
http://cinescopophilia.com/rampant-motion-graphics...
Rampant Motion Graphics for Editors v2 contains more than 900 2K, 4K and 5K hand crafted drag and drop animated effects for your next video. YES, that’s right.
Surface Book vs. MacBook Pro 13
October 6, 2015, 04:48 PM
http://www.digitaltrends.com/computing/spec-showdo...
Microsoft is finally joining the laptop Thunderdome with the Surface Book, a high-performance machine with a detachable touchscreen. It faces its toughest competition in the form of the incredibly popular 13-inch MacBook Pro. Apple’s smallest high-performance option packs speed and storage into a thin, unibody chassis that’s well known around the computing community. Can the Surface Book overcome, or is it destined to be forgotten like so many Microsoft projects?
Performing swap edits in DaVinci Resolve 12
October 6, 2015, 01:17 PM
http://www.provideocoalition.com/performing-swap-e...
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.