It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 6, 2015, 01:17 PM
http://www.videoguys.com/blog/cool-gadgets/matrox-...
In this article for Streaming Media, Matrox’s Alberto Cieri talks about how Matrox is offering broadcasters and video producers products that can streamline their workflows, lower their costs, improve video quality and reach even larger audiences. Matrox Electronic Systems Ltd. – 2015 View From The Top Alberto Cieri, Senior Director of Sales and Marketing, Matrox Video For over 20 Read More The post Matrox Says Anything Worth Streaming is Worth Recording appeared first on Videoguy...
October 6, 2015, 05:24 AM
http://www.fcp.co/final-cut-pro/articles/1728-gett...
Wes Plate from Automatic Duck presented his new product Ximport AE at the recent Los Angeles Creative Pro User Group. Wes showed the audience how to get FCPX timelines into After Effects and also recounts some great NLE history. Well worth a watch with your morning latte for half an hour!
October 5, 2015, 12:22 PM
http://www.philiphodgetts.com/2015/10/lunch-with-t...
The latest in our Lunch with Philip and Greg series.
October 5, 2015, 09:23 AM
http://www.provideocoalition.com/introducing-adobe...
We are thrilled to announce that Premiere Clip 2.0 is now available for download in the App Store. The new release of Premiere Clip includes a number of enhancements to make video editing on the move easier, faster and more fun. Check out all that’s new in the latest release!
October 5, 2015, 09:23 AM
http://www.studiodaily.com/2015/10/adobe-extends-m...
Adobe is connecting more of the dots in Creative Cloud this week with the expansion of Adobe CreativeSync to mobile-to-mobile workflows. That means users can start working on a project with one mobile app, then continue developing it in another. … more » The post Adobe Extends Mobile Workflow Options at Max Conference appeared first on Studio Daily.
October 5, 2015, 09:22 AM
http://www.provideocoalition.com/building-projecti...
When producing large scale video projections it's important to establish some type of preview, to guage how the content will look when projected. There are a variety of techniques available to do this.
October 5, 2015, 09:22 AM
https://www.rocketstock.com/blog/4-brilliant-ways-...
As one of the best compositing and VFX softwares in the world, After Effects is a great software for removing rigs, markers, and objects from your footage. Every shot will require you to solve your removal problem in a new creative way, but perhaps one of these tutorials can help! Let’s take a look at 4 ways to remove objects in After Effects.
October 5, 2015, 04:47 AM
http://www.fcp.co/final-cut-pro/articles/1727-ben-...
Ben Balser has been taking a good look at Coremelt's new DriveX plugin for Final Cut Pro X. His user review compares it to the other Coremelt products that also use the Mocha tracking engine. We have to admit to being slightly confused ourselves, so Ben explains all...
October 5, 2015, 04:44 AM
http://vashivisuals.com/adobe-max-2015-from-sharks...
ADOBE MAX 2015 – The Creativity Conference will be held in Los Angeles from October 3 to October 7. I’m very proud to have been invited to present and will be speaking about the work I have edited over the last year. I will share my experiences editing 2 feature films, 2 documentaries, a music video, a short film and a commercial. All of these projects were cut in Adobe Premiere Pro because…for me, it’s the most powerful, flexible and constantly improving NLE out there.
October 3, 2015, 11:28 AM
http://saeditores.org/Novedades/Charla-en-el-Festi...
En el marco del Festival Audiovisual Heterogéneo, FAH!, organizado por la Universidad Nacional de Lanús, el pasado 23 de septiembre se llevó a cabo la charla La edición audiovisual hoy, en la que participaron Ana Remón (SAE) y José Manuel Streger (SAE) (EDA). El evento tuvo lugar en el Cine Universitario Tita Merello de la UNLa y también contó con la presencia de Mariano Sabán (EDA).
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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