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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

DaVinci Resolve: Enhance Your Sky in Under Five Mi

February 1, 2017, 10:18 AM

https://www.premiumbeat.com/blog/enhance-your-sky-...

Plenty can go wrong when you're trying to capture a perfectly exposed shot of the sky. Fortunately, DaVinci Resolve makes it easy to nail your desired look in post.

The Best Color Grading Software and Plugins for Vi

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https://www.premiumbeat.com/blog/best-color-gradin...

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Master Strokes: Wong Kar Wai and Color

January 30, 2017, 10:17 AM

https://filmschoolrejects.com/master-strokes-wong-...

utside of sound, the greatest single element ever added to the art of film is color. One only needs to think of the most significant color shift in cinematic history — Dorothy opening the door of her black-and-white house onto the bright and vibrant land of Oz — to realize the emotional, intellectual, and even physical impact color can have on an audience. Color visualizes that which can’t be spoken or related by the body, color informs starting on a subconscious level and working ...

Color Grading Feature Film Colorist Masterclass wi

January 27, 2017, 10:41 AM

http://manhattaneditworkshop.blogspot.com/2017/01/...

In our two-day ICA 300 course we will be working on a project that was a theatrically released feature film.   The feature was shot on Red Epic using anamorphic lenses. We are going to take the film from the preparation for grading through to the final deliverables. Apart from the obvious color grading work we will also take an extensive look at the new features in Resolve V12 for online and mastering from a feature film perspective.Go here to learn more about this amazing class: http:...

Better Coloring Wth Ray Dynamic Color in After Eff

January 26, 2017, 10:35 AM

http://lesterbanks.com/2017/01/coloring-ray-dynami...

No surprise, there is no cogent way to work with color in After Effects. If you have thousands of layers, in hundred of composition, across multiple edits, you are on your own. It’s no wonder The Post Better Coloring Wth Ray Dynamic Color in After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks

Color Grading Commercials - Colorists Masterclass

January 26, 2017, 10:35 AM

http://manhattaneditworkshop.blogspot.com/2017/01/...

In our two-day ICA 301 course the participants will focus on a previously released international fashion brand commercial. We will look at the commercial from preparation for grading through to the final deliverables. Apart from the obvious colour grading work we will also take an extensive look at the new features in Resolve v12 for online and mastering.Go here to learn more about this amazing class: http://mewshop.com/courses/course_detail/ICA301/

Advanced Colorist Strategies with Resolve 12.5 wit

January 25, 2017, 07:21 AM

http://manhattaneditworkshop.blogspot.com/2017/01/...

Our two-day ICA 201 class is designed around a small conformed sequence that you can take away. We will work through the project from start to finish not only looking at Resolve, but also using general colorist strategies. You will be able to keep the project and stills, a great way to continue your learning.Find out more about this course here: http://mewshop.com/courses/course_detail/ICA201/

Color Grading: What is ACES?

January 20, 2017, 10:15 AM

https://www.premiumbeat.com/blog/what-is-aces-in-c...

The Academy Color Encoding System aims to be the filmmaking industry standard for managing color.

The colorful dimensions of Amazon’s Mozart in th

January 19, 2017, 06:20 AM

http://postperspective.com/colorful-dimensions-ama...

By Randi Altman How do you describe Amazon’s Mozart in the Jungle? Well, in its most basic form it’s a comedy about the changing of the guard — or maestro — at the New York Philharmonic, and the musicians that make up that orchestra. When you dig deeper you get a behind-the-scenes look at the back-biting and crazy that goes on in the lives and heads of these gifted artists. Continue reading → January 18, 2017 The post The colorful dimensions of Amazon’s Mozart in the Jungle ap...

Colorist Dan Hermelin Stops at Roundabout

January 19, 2017, 06:20 AM

http://www.studiodaily.com/2017/01/colorist-dan-he...

Colorist Dan Hermelin has joined post-production facility Roundabout Entertainment in Burbank. Dan Hermelin Previously at Deluxe, Hermelin has been working on restoration and remastering projects for studios including Sony, MGM and Disney, as well as on animation for Netflix and … more » The post Colorist Dan Hermelin Stops at Roundabout appeared first on Studio Daily.

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