It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 13, 2018, 01:19 PM
http://www.studiodaily.com/2018/02/8k-not-8k-quest...
The only thing I am 100% sure about in our industry is that things will change. 2017 was certainly a year of change from a content distributor’s perspective — we started the year being asked by our clients who license programming from us for HD, which then changed to all 4K, and then 4K with HDR. […] The post To 8k, or Not to 8k, That Is the Question! appeared first on Studio Daily.
February 13, 2018, 11:14 AM
https://www.amazingmusictracks.com/blog/sync-audio...
Learn how to synchronize multiple audio and video clips in Premiere Pro using it's automated merging features.
#film#post production#filmmaking#video editing#place tags here: premiere proFebruary 13, 2018, 10:29 AM
http://www.postmagazine.com/Press-Center/Daily-New...
BROOKLYN, NY — The work of Maxon Cinema 4D user/3D artist Mike Winkelmann, best known in the creative community as Beeple, will be on display at “Crap: A Beeple Retrospective.” Presented by the Made in NY Media Center (http://nymediacenter.com) by IFP gallery in DUMBO, Brooklyn, the show runs February 1st through the 28th.
February 13, 2018, 10:28 AM
http://designingsound.org/2018/02/modular-system-r...
This is a guest contribution by Seattle-based sound designer Chris Burgess. Chris has been working principally in game audio for the last several years to support his “healthy” addiction to synths. Recently he’s worked on Guild Wars 2, Middle-earth: Shadow of War and République. I built my first modular system about seven months ago and dove in with an […]
February 13, 2018, 06:19 AM
https://www.provideocoalition.com/day-13-28daysofq...
This is the first of our reader QuickTips which comes to us courtesy of Clark Morris, Senior Editor of 30 Second Street. I have to honestly say that I have never thought of the left to right, right to left direction of a sunrise or sunset when I have quickly hit the reverse button in my NLE to turn that sunrise to a sunset, or vice versa. But I’ll take Clark’s word for it and heed this advice the next time. Take it away Clark!
February 13, 2018, 06:19 AM
http://www.cgmeetup.net/home/kong-skull-island-vfx...
The Rodeo FX team delivered 80 shots for this film. Much of our work can be seen in the film’s opening sequence during a fight between two World War II pilots. We also created numerous matte paintings for multiple locations around the island and its jungle, including a sequence showing pillars that reveal secrets about Kong’s origins when properly aligned.
February 13, 2018, 06:19 AM
http://www.artofvfx.com/fantastic-beasts-and-where...
Let’s go back in 2016 with the VFX Breakdown by Double Negative about their work on FANTASTIC BEASTS AND WHERE TO FIND THEM...
February 12, 2018, 12:45 PM
https://www.provideocoalition.com/mediamotion-ball...
An all-volunteer produced event, the MediaMotion Ball serves as the unofficial industry kickoff and reunion event for the production, post production and motion graphics communities.
February 12, 2018, 07:17 AM
http://www.premierebro.com/blog/edit-to-the-beat-w...
HOW TO USE BEATEDIT TO EDIT TO A BEAT OR EDIT MUSIC IN PREMIERE PRO. BeatEdit is a Premiere Pro extension that auto detects beats in a music track, and generates clip or sequence markers in Premiere Pro. In this extensive post, we cover how to use BeatEdit, and how to manually and automatically edit to beat markers in Premiere Pro.
#adobe#premiere pro#mamoworld#aescripts#beateditFebruary 12, 2018, 04:23 AM
http://www.fcp.co/final-cut-pro/articles/2039-what...
Has the tide turned? It seems more and more are discovering that FCPX is really the fastest and best way to get content ingested, edited and outputted. YouTuber Levi Allen AKA Leftcoast gave himself 24 hours to make the switch. Why did he change NLEs? His video tells all.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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