It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 28, 2017, 07:28 AM
https://digitalfilms.wordpress.com/2017/12/27/down...
The bond between a film director and the editor is often a long-lasting one. The industry is full of pairings that continue film after film. One such duo is director Alexander Payne (Nebraska, The Descendants, Sideways) and editor Kevin Tent (Welcome to Me, Girl Interrupted, Election). Tent has edited every film that Payne directed, with […]
December 27, 2017, 04:46 PM
http://www.studiodaily.com/2017/12/physics-behind-...
We've all heard it — the advice of both storage vendors and solutions providers to never use more than 80% of your storage. Otherwise … what? What terrible disaster can possibly happen if this rule is ignored? The post Here Is the Physics Behind the Magic 80% Rule for Media Storage and File Systems appeared first on Studio Daily.
December 27, 2017, 08:27 AM
http://www.philiphodgetts.com/2017/12/2017-2018-in...
What technologies took my interest in 2017, and what will happen to them in 2018.
December 26, 2017, 05:32 PM
http://www.bobbieosteen.com/2017/12/read-my-tribut...
Click here.
December 26, 2017, 10:47 AM
http://www.avidblogs.com/making-the-cut-stephen-el...
The article Making The Cut: Stephen Ellis, ACE — Working Without a Safety Net by Claire Sayers appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
December 23, 2017, 08:54 AM
https://www.videoguys.com/blog/teradek-vidiu-pro-m...
[Dec 23, 2017 update] Many videographers and companies are now delivering Live Streaming of events, sports, weddings, plays, graduation ceremonies, training sessions, news reporting and promotions. With free or very affordable CDNs like YouTube Live, Facebook Live, UStream, Twitch LiveStream, Wowza or any RTMP server you can easily deliver your live content to any number Read More The post Teradek VidiU Pro – The Must Have Tool for Professional Live Streaming appeared first on Videoguys Blog.
December 22, 2017, 03:20 PM
http://www.digitalproductionbuzz.com/2017/12/trans...
HOST Larry Jordan GUESTS Pat Grosswendt, Co-Founder, Senior Sales Specialist, Litepanels Bobby Finley III, TV/Film Lighting Consultant, VER Enhanced Environments Tama Berkeljon, Managing Director, Outsight Joel Lipton, Photographer/DP, Joel Lipton Studio James DeRuvo, Senior Writer, DoddleNEWS == Male Voiceover: The Digital Production Buzz is brought to you by KeyFlow Pro; media asset management software, designed to meet the needs of work groups at an affordable price.… The post...
December 22, 2017, 11:41 AM
http://www.premierebro.com/weekinpr/week-in-premie...
PREMIERE PRO WEEK IN REVIEW: How Boris FX Affects Effects in Premiere Pro • Interview With Billy Fox, ACE, Editor For Only the Brave • Use Mantra VR To Create Virtual Dolly Shot in Premiere Pro • FREE Zoom/Cut Transitions Preset for Premiere Pro
December 22, 2017, 06:57 AM
https://www.premiumbeat.com/blog/interview-editor-...
How editor Kevin Tent, ACE, maintains his highly regarded editing career while balancing his first time directing a motion picture.
December 22, 2017, 06:56 AM
https://www.provideocoalition.com/aotc-mindhunter
Mindhunter is one of those binge-able shows that has people talking. I spent a few days last summer at the Fincher production facility in LA where the show is cut and met one of the show’s editors, Tyler Nelson. One of the other editors on the series is Oscar-winner, Kirk Baxter, ACE, whom I interviewed previously for his work on Gone Girl. Both Gone Girl and Mindhunter were edited in Premiere Pro. (I was not able to talk to the third editor on the series, Byron Smith, who also cut the Netflix...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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