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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

FCPX Receives Minor Update With Performance Improv

September 3, 2015, 04:47 PM

http://www.macrumors.com/2015/09/03/final-cut-pro-...

Apple's professional video editing software Final Cut Pro X received its first update in months this afternoon, adding a handful of new features, fixing several bugs, and improving performance and stability.

Award-Winning Editor Valerio Bonelli Opens the Doo

September 3, 2015, 12:36 PM

http://www.avidblogs.com/editor-valerio-bonelli-op...

The article Award-Winning Editor Valerio Bonelli Opens the Door to his Cutting Room by Wim Van den Broeck appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Deluxe Unit at Sony Votes to Unionize

September 3, 2015, 12:35 PM

http://www.hollywoodreporter.com/news/deluxe-unit-...

Seven months after Sony sold its Colorworks 4K post house to Deluxe Entertainment, workers at the unit, still based on the lot, voted Wednesday by 92 percent to 8 percent to unionize with IATSE’s Local 700, the Motion Picture Editors Guild, the union announced.

This New AE Plugin Could Spell the End of Stabiliz

September 3, 2015, 12:35 PM

https://www.rocketstock.com/blog/this-new-after-ef...

When Adobe unveiled warp stabilizer just a few years ago, the possibilities were endless. No more buying multi-thousand dollar rigs. No more wasted time on set. You could very easily fix it in post. But then we actually tried warp stabilizer and the results were not amazing. In fact, they were quite the opposite.

Top 5 Mythbusters for Cloud Collaboration Solution

September 3, 2015, 09:16 AM

http://aframe.com/blog/2015/09/top-5-mythbusters-f...

As more companies turn to the cloud as a way to streamline workflows and cut costs, every vendor seems to offer some type of cloud solution. The benefits, enabling teams to collaborate across geographies and time zones and making media centrally accessible, can transform workflows. But like any big industry shift, innovations are happening as... Read More

Art of the Cut with Eddie Hamilton of Mission: Imp

September 3, 2015, 04:42 AM

http://www.provideocoalition.com/art-of-the-cut-wi...

Eddie Hamilton's list of credits is envious, starting with feature film editing credits in 1998 and kicking into high gear with 2010 with the Kick-Ass movies, X-Men: First Class, The Loft, Kingsman: The Secret Service, and now Mission: Impossible - Rogue Nation. Eddie didn't even study film in school, but knew that this was his dream and his goal and did everything he could to work his way up from post house runner to film editor by soaking up knowledge like a sponge, contesting conv...

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