It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 27, 2017, 04:43 AM
https://www.provideocoalition.com/lets-edit-with-m...
Effects work is always a tricky thing for Media Composer editors. If you’re just starting out, you’re going to find out very quickly that the core effects in Media Composer, unless you plan on working only with the 3D warp tool, just won’t cut it, and you’re going to need to go third-party, if you want to get some respectable looking work done. Boris FX (and Boris Continuum Complete specifically) has always given Media Composer editors the essential tools and effects they need to handle ...
October 26, 2017, 04:39 PM
http://saeditores.org/Novedades/Veredas-por-Flor-E...
Una síntesis personal de la edición por sus artífices.
October 26, 2017, 11:57 AM
http://www.postmagazine.com/Press-Center/Daily-New...
Technicolor recently published a new podcast titled “How Evolutions in Motion Capture are Building Immersive Experiences.” Featuring Vicon’s director of sales & marketing Jeff Ovadya and Technicolor Experience Center’s virtual production supervisor John Root, the 30-minute podcast looks back at the early days of motion capture and how its evolution is now enabling the creation of augmented reality and virtual reality content.
October 26, 2017, 11:56 AM
http://saeditores.org/Novedades/La-SAE-entregara-e...
La SAE entregará el Premio al Mejor Montaje en el 15˚ Festival Nacional de Cine de Tandil, que se llevará a cabo entre el 28 de octubre y el 4 de noviembre en dicha ciudad de la provincia de Buenos Aires. El jurado, integrado por Valeria Racioppi (SAE), Lucas Scavino (SAE) y Leandro Spatz (SAE), elegirá al ganador entre las películas argentinas de la Competencia Oficial de Largometrajes.
October 26, 2017, 04:39 AM
https://www.youtube.com/watch?v=9ppB-wpj9oY
Josh Earl is known for his work on Deadliest Catch (2005), American Heiress (2007) and Jay and Silent Bob's Super Groovy Cartoon Movie (2013). Winner of the Emmy Award for Outstanding Picture Editing for an Unstructured Reality Program for Deadliest Catch (2005) form 2011-2015. Was nominated for four other Emmy Awards. Kelley Dixon is known for her work on Breaking Bad (2008), Good Will Hunting (1997) and Better Call Saul (2015). She is a winner of the Outstanding Single-Camera Picture E...
October 26, 2017, 04:38 AM
http://www.studiodaily.com/partners/collaborative-...
When it comes to the evolution of collaborative editing, Simon Haywood, Dell EMC Solutions Architect, Media and Entertainment, takes the long view. Haywood put in time as a satellite engineer for the BBC before joining Isilon, and he remembers when editing was an intuitive, linear process that resulted in a videotape that you could hold […] The post How Collaborative Editing Makes Creatives More Creative appeared first on Studio Daily.
October 25, 2017, 04:09 AM
http://www.fcp.co/final-cut-pro/2010-we-are-publis...
FCPX World at IBC 2017 was a great experience. For the third year in a row, the Spaces building next to the Amsterdam RAI was the epicenter of everything related to Final Cut Pro X at IBC. The Club Room at Spaces was converted to a pop-up television studio where high-profile professionals from all over Europe and the USA came to showcase their work with FCP X.
October 24, 2017, 12:15 PM
http://www.broadcastbeat.com/frame-io-launches-600...
Enter to win the ultimate video editor’s dream workstation; all entries unlock a 30-day trial of Frame.io Pro and Adobe® Creative Cloud® New York City, NY – October 24, 2017 – Frame.io, the workflow management platform for video teams, has collaborated with industry leaders to assemble the ultimate workstation for video editors. Besides showcasing an incredible line-up of ...
October 24, 2017, 12:15 PM
http://www.fcp.co/final-cut-pro/news/2009-xeffects...
Idustrial Revolution has just released a new set of plugins for FCPX based on animating thirds. XEffects Viral Video Thirds builds 'on trend' big, bright and dynamic videos. There's also a special launch price of $39.
October 23, 2017, 09:40 AM
https://fxfactory.com/blog/effects-2/viral-video-t...
Perfectly 'on trend' for may uses from broadcast productions to social media posts.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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