It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 6, 2019, 06:44 AM
https://www.screeneditors.com.au/enews-89-december...
eNews 89 - December 2018
January 6, 2019, 06:44 AM
http://www.digitalrebellion.com/blog/posts/2018_ye...
Another year is over so let’s look back on the past 12 months. Notable updates Kollaborate - We made lots of enhancements to our cloud workflow platform over the year including Upload Workflows to automate tasks when uploading a file, including embedding LUTs and overlays; restoring deleted files; improved DaVinci Resolve integration; folder uploading; lots of new workflow tasks and much more. We also reduced our month-to-month pricing on the cloud and added some additional options for ...
January 5, 2019, 02:28 PM
http://kyleepena.com/2019/01/05/attend-nab-show-fo...
If you’ve followed me a while on the internets, you know that NAB Show (my first, in 2012, for which I wrote quite a recap) was a turning point in my career. I was able to get out of my bubble (Indiana), meet the people I knew only online or by reputation from books, and start to build a name for myself on a much larger stage. I learned a tremendous amount I put to use right away. But maybe most of all, my small-town mentality began to fade away and I could see myself in The Industry. Without ...
January 5, 2019, 08:36 AM
https://postperspective.com/behind-the-title-fusef...
Over the years, this visual effects veteran has worked with both George Lucas and Steven Spielberg, whose films helped inspire his career path. NAME: Marshall Krasser COMPANY: FuseFX CAN YOU DESCRIBE YOUR COMPANY? FuseFX offers visual effects services for episodic television, Continue reading → January 4, 2019 The post Behind the Title: FuseFX VFX supervisor Marshall Krasser appeared first on Randi Altman's postPerspective.
January 4, 2019, 10:54 AM
https://postperspective.com/post-in-the-cloud-comp...
BeBop Technology, a provider of secure software solutions for moving media workflows to the cloud, has added three to its management team: director of business development Michael Kammes, VP of product management Patrick Cooper and Director of technical sales Nathaniel Bonini. Michael Kammes joins BeBop from the media technology reseller and integrator Key Code Media, Continue reading → January 3, 2019 The post Post in the cloud company BeBop adds three tech pros appeared first on Randi...
January 4, 2019, 10:54 AM
https://postperspective.com/cutters-new-york-adds-...
Cutters Studios in New York has added is commercial editor Alison Grasso to its staff. Previously a staff editor for Crew Cuts in New York, Grasso started her commercial career with the company immediately upon graduation from NYU (BFA, Film and Television Production). She has experience in documentary-style visual storytelling, beauty and fashion and has collaborated with brands such as Garnier, Continue reading → January 4, 2019 The post Cutters New York adds spot editor Alison Grass...
January 4, 2019, 10:53 AM
https://www.provideocoalition.com/closed-caption-c...
Last June ProVideo Coalition introduced Closed Caption Creator, a free web-based captioning tool. Now it’s time to explore Closed Caption Converter, another free online tool.
January 4, 2019, 10:53 AM
https://www.provideocoalition.com/aotc-ballad
Eyal Dimant, associate editor on the Coen brothers’ Netflix film, The Ballad of Buster Scruggs discusses editing alongside the Coens as they use Adobe Premiere to create the unique anthology of short stories about the Old West.
January 4, 2019, 06:48 AM
https://vfxblog.com/2019/01/03/new-stunning-first-...
Just in time for the VFX bake-off, Universal has released a First Man VFX reel featuring the practical, miniature and digital effects work for the film...
January 3, 2019, 07:49 AM
http://www.animationmagazine.net/vfx/boutique-vfx-...
Atlanta-based boutique visual effects studio MOD is kicking off 2019 in high gear, moving into a spacious new bungalow-style facility and celebrating work on the music videos for two Grammy-nominated tunes: Travis Scott’s “Sicko Mode” (featuring Drake) and Jay Rock’s “Win.” With several high-profile advertising and music projects in the works, creative director & VFX supervisor Les Umberger expects the momentum to continue through the new year and beyond...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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