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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

What does the 2016 Olympics say about 4K?

March 10, 2015, 03:35 AM

http://www.redsharknews.com/business/item/2422-why...

The statement by Olympic Broadcast Services’ Yiannis Exarchos that the organisation will not be providing a 4K feed from the Rio Olympics next year has taken a lot of people by surprise, and even caused some to question the whole shift towards 4K. Andy Stout explains why it’s really not that important. OBSUltra HD4K broadcastingpanasonicRio OlympicsOlympic Games

Focus DP on Using FCPX

March 9, 2015, 09:31 AM

http://filmmakermagazine.com/93344-today-lies-not-...

Early in the new film Focus, a veteran con man played by Will Smith teaches his fledgling grifter protégé (Margot Robbie) the tools of the trade: misdirection, deception, subliminal suggestion. They’re a few of the tools applied in Focus by cinematographer Xavier Grobet as well, who is tasked with not only making the New York, New Orleans and Buenos Aires locations sleek and alluring but also with pushing audiences alternately toward and away from the plot’s various double-crosses.

Get More Views: 10 Basic Tips for Posting Online V

March 9, 2015, 09:30 AM

http://www.premiumbeat.com/blog/get-more-views-10-...

What's the point of posting video online if nobody is going to see it? Up your views with these basic tips for posting online video. The post Get More Views: 10 Basic Tips for Posting Online Video appeared first on The Beat: A Blog by PremiumBeat.

Iara Rodriguez Vilardebó (EDA) ganó el premio a

March 9, 2015, 04:51 AM

http://www.edaeditores.org/iara-rodriguez-mejor-mo...

Un jurado integrado por los socios Francisco Freixá (EDA), Mariana Quiroga (EDA) y Lucía Torres (EDA) evaluó treinta cortometrajes argentinos en competencia preseleccionados por el concurso de La mujer y el cine 2015, y por decisión unánime, determinó el premio EDA a “Mejor Montaje”: para Iara Rodríguez Viladerbó (EDA), por el cortometraje La reina, de […]

25 Times Per Second | Reactions / Tints

March 9, 2015, 03:51 AM

http://jamesroseneditor.com/reactions-tints/

In his insightful and highly recommended commentary on ‘Bad Day At Black Rock’, John Sturges suggests that effective storytelling in film is all about reaction.

10 Women of Title Design

March 8, 2015, 03:59 PM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

At Art of the Title we strive to represent content that is interesting, exciting, and varied. To us, that means content that is inclusive of many genres, genders, and geographies. We recognize that many industries are dominated by men, and we are determined to both acknowledge this bias and work towards more balanced representation.To celebrate International Women’s Day, we’ve compiled a list of 10 women in title design that you should know about. 10 Women of Title Design That You Sh...

Las desconocidas del cine

March 8, 2015, 09:11 AM

http://www.edaeditores.org/las-desconocidas-del-ci...

Como parte de una tarea permanente de rescate del archivo de la historia del montaje cinematográfico en la Argentina, el equipo de la Comisión de Cultura de la EDA quiere compartir el siguiente artículo publicado por Irene Ickowicz en el suplemento Mujer del diario Tiempo Argentino de 1985, con motivo de un nuevo aniversario del […]

Eddie Awards Video – 65 years

March 7, 2015, 05:42 AM

http://americancinemaeditors.org/eddie-awards-vide...

ACE Eddies Awards Video was edited by Shannon Weiss and includes all the Feature Film ACE Award winners from the last 65 years. She was assisted by Alfonso Carrion, Alexandra Scratch and Susana Benaim.

Transcript: Digital Production Buzz – March 5, 2

March 6, 2015, 06:33 PM

http://www.digitalproductionbuzz.com/2015/03/trans...

GUESTS Brad Malcolm, President, Athentech Imaging Inc. Rodrigo Thomaz, Product and Training Specialist, Audio-Technica Kevin McAuliffe, Senior Editor, Extreme Reach Toronto - Avid Community Leader

The Why of My Simple Motion Effects in Video Edit

March 6, 2015, 06:33 PM

http://blogs.nppa.org/editfoundry/2015/03/06/the-w...

A motion effect changes the size, shape, opacity, duration, position of your video, image, text or graphic in your projects. Motions effects are easy. I'm not going to explain the how of motion effects. I'm going to explain the why.

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