It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 3, 2018, 06:03 AM
https://www.provideocoalition.com/christmas-gift-i...
Tis the season for editors everywhere to give, get and enjoy gifts just for him/her and the unique things we editors are...
December 3, 2018, 06:03 AM
http://www.themill.com/portfolio/4454/opening-&-ma...
Here is the end title sequence made by The Mill for SKYSCRAPE...
December 2, 2018, 08:20 AM
https://digitalfilms.wordpress.com/2018/12/02/five...
I spent last Friday setting up two new Apple iMac Pros as editing workstations. When I started as an editor in the 1970s, it was the early days of computer-assisted video editing. Edit suites (or bays) were intended for either “offline” editing with simple hardware, where creative cutting was the goal – or they were […]
December 1, 2018, 04:53 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“This is the strangest secret in the world . . .” ...
December 1, 2018, 07:19 AM
https://download.cnet.com/news/with-adobe-premiere...
It used to be a pipe dream to become a TV celebrity, but now people of all talents are finding fame in YouTube channels and other online video outlets. For some, producing videos is a full-time -- and occasionally extremely lucrative -- job. Others may find themselves creating in-house corporate or training videos.
December 1, 2018, 07:19 AM
https://www.provideocoalition.com/2018_11_1/
Recently in the world of After Effects, there’s news on tracking, multiple plug-in releases and updates, EXR format upgrade, Illustrator tips, shape animation, classes, fluids, and more. It’s hard to know if this approach to news is still useful, but here it is!
November 30, 2018, 01:48 PM
https://www.premierebro.com/weekinpr/week-in-premi...
PREMIERE PRO WEEK IN REVIEW: The Best NLE According to 116 Expert Video Editors • 15 FREE Text and Image Animation Presets for Premiere Pro • 5 Tips and 5 Fixes for Premiere Pro • The Cutest Premiere Pro Tutorial Ever
#editing#adobe#premiere pro#premiere#adobe premiereNovember 30, 2018, 10:30 AM
http://www.cgw.com/Press-Center/In-Focus/2018/Meth...
Director David Mackenzie shot on location in Scotland, with the aim of making every aspect of the film as historically accurate as possible. Mackenzie and production VFX Supervisor Alex Bicknell entrusted Method Studios to achieve the desired authenticity through invisible yet complex visual effects.
November 30, 2018, 06:56 AM
http://www.cgchannel.com/2018/11/chaos-group-ships...
Chaos Group has released V-Ray Next for 3ds Max Update 1, the latest version of the 3ds Max edition of the renderer, improving interactive performance and extending GPU rendering.
November 29, 2018, 01:30 PM
https://postperspective.com/capturing-realistic-di...
By Mel Lambert Early on in his process, Front Runner director Jason Reitman asked frequent collaborator and production sound mixer Steve Morrow, CAS, to join the production. “It was maybe inevitable that Jason would ask me to join the crew,” says Morrow, who has worked with the director on Labor Day, Continue reading → November 29, 2018 The post Capturing realistic dialogue for The Front Runner appeared first on Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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