It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 2, 2017, 04:41 PM
http://www.provideocoalition.com/documentary-sound
Documentary sound utilizes all of the main elements typical to audio post – dialog, music and effects, however the application of those are very dependent on the type of documentary being made. Some are narrator driven, some are content driven, some feature sit-down interviews, others are run and gun candid scenes. Most are all of The post Documentary Sound-28 Weeks of Post Audio-Week 8 appeared first on ProVideo Coalition.
January 2, 2017, 04:41 PM
https://labs.chaosgroup.com/index.php/cg-garage-po...
Chris’s guest for this ridiculously entertaining episode is Erick Schiele. Erick and Chris worked together at architectural studio Gensler, and then followed similar career paths into visual effects, with Erick working on “Sky Captain and the World of Tomorrow,” “Stealth,” “2012,” and “Iron Man 2.”
January 2, 2017, 12:43 PM
http://designingsound.org/2017/01/our-favorite-sou...
The year 2016 has been one of many great articles, interviews, and discussions here at Designing Sound and we want to thank all of our readers for their attention, suggestions, contributions, and overwhelming support. There have been so many great films, shows, games, and events this year that we thought we would share some of our favorites for […]
January 2, 2017, 12:43 PM
http://www.fcp.co/final-cut-pro/articles/1895-orga...
Benjamin Mercer, an award-winning Finnish/English editor, received cheers and loud applause from the audience at the FCP X Tour Barcelona when he explained his workflows and his editing process for an epic war-drama movie that he is currently cutting in FCPX. (Two demo videos included!)
January 2, 2017, 12:42 PM
http://www.indiewire.com/2017/01/ilm-john-knoll-st...
For John Knoll, ILM’s Oscar-winning VFX supervisor (“Pirates of the Caribbean: Dead Man’s Chest”) and chief creative officer, the making of “Rogue One” — the first “Star Wars” standalone film, which he created — offered more freedom than any other project.
January 2, 2017, 12:41 PM
http://framexframe.tumblr.com/post/155297383257/wa...
Warner Brothers Animation’s Osmosis Jones
January 2, 2017, 08:08 AM
http://www.fcp.co/final-cut-pro/articles/1913-fcp-...
You might have noticed a few changes around here. We have updated the website with a new look and added new functionality for the new year.
January 2, 2017, 08:05 AM
http://www.goldderby.com/article/2017/ace-eddie-aw...
The winner of the Golden Eddie from the American Cinema Editors has proven to be one of the best indicators of which film takes home the Best Picture Oscar. Nominations for the 2017 edition of these awards will be announced on Jan. 3, with the winners revealed on Jan. 27.
January 1, 2017, 05:42 PM
http://www.philiphodgetts.com/2017/01/2016-in-revi...
An exciting and wonderful year.
January 1, 2017, 05:42 PM
http://designingsound.org/2017/01/and-the-grand-pr...
When we designed this event, we wanted to reward people for their participation and involvement in the little arm of the community that is Designing Sound Exchange. We also generally kept the various methods we used to select winners secret until we were no longer using them. We wanted people to participate in a natural […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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