It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 30, 2016, 02:25 PM
http://designingsound.org/2016/12/sound-with-benef...
As members of the audio industry, sound is our livelihood. Whether we’re cutting dialog, recording, editing, composing, or engaging in any other part of our field, we expose ourselves to sound everyday. And while sound is informative and emotionally moving, it is nevertheless a fatiguing experience for our body. Most of us have heard at […]
December 30, 2016, 02:25 PM
http://saeditores.org/Novedades/Chau-2016
El 23 de diciembre pasado se llevó a cabo la cena y brindis de fin de año de la SAE en el Club Arquitectura de la Ciudad de Buenos Aires, con la participación de más de cincuenta socios que disfrutaron de un hermoso encuentro y festejaron el cuarto aniversario de la asociación.Durante este 2016, la SAE organizó y participó en diversas charlas y cursos que tuvieron como objetivo jerarquizar nuestro oficio y lograron visibilizar aún más el rol del editor audiovisual. Además, la asoc...
December 30, 2016, 02:25 PM
http://www.hollywoodreporter.com/behind-screen/pat...
Creating an authentic and absorbing account of the April 15, 2013, terrorist bombing at the Boston Marathon was top priority for Patriots Day director Peter Berg and editors Colby Parker Jr. and Gabriel Fleming.
December 30, 2016, 02:24 PM
https://filmschoolrejects.com/hayao-miyazaki-rises...
he new year promises lots of excitement for Studio Ghibli fans: the beginning of the year sees the re-release of Princess Mononoke by distributor GKIDS, in honour of the film’s 20th anniversary. The 1993 Ghibli film Ocean Waves will be coming to the U.S. for the first time, being released for home-viewing in a 4k restoration.
December 30, 2016, 02:24 PM
http://www.capegazette.com/article/hollywood-film-...
Hollywood entertainment professional and Berlin, Md. native Josh Chamberlain will host an inaugural film and television workshop from 10 a.m. to 2 p.m., Saturday, Jan. 7, at Worcester Preparatory School in Berlin. This event is open to the public, and tickets must be purchased in advance.
December 30, 2016, 05:59 AM
http://www.provideocoalition.com/get-started-fast-...
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in Avid Media Composer, so they can get up to speed editing quickly! Many of the e-mails I receive from new editors, and editors who are either making a switch from FCPX or Premiere, or an editor is The post Get Started Fast with Media Composer for Adobe Editors — Part 3 appeared first on ProVideo Coalition.
December 30, 2016, 05:59 AM
http://www.doddlenews.com/news-room/how-ilm-brough...
There’s a huge debate going on among movie fans, and Star Wars fans specifically, if digitally resurrecting an actor to craft a new performance in a film is ethical. And that is a conversation to have, but technologically, how did ILM, Lucasfilm and Disney actually bring Peter Cushing back from the grave to cast the evil shadow of Grand Moff Tarkin in Rogue One? And will it become a more common occurance?
December 30, 2016, 05:59 AM
https://www.bostonglobe.com/arts/movies/2016/12/29...
NEW YORK — Martin Scorsese’s Manhattan office, in a midtown building a few blocks northwest of the cordoned-off Trump Tower, may be the most concentrated bastion of reverence for cinema on the face of the Earth.
December 29, 2016, 02:27 PM
http://www.studiodaily.com/2016/12/studiodailys-to...
Every December, we dig into our weblogs and tally pageviews for stories published at StudioDaily in the last 12 months. The traffic stats reveal what we've been thinking about, and what's been generating discussion, when it comes to product reviews, … more » The post StudioDaily’s Top 10 Stories of 2016: Part One appeared first on Studio Daily.
December 29, 2016, 07:17 AM
http://designingsound.org/2016/12/recording-life-a...
With more than 30 years of professional activity, Gordon Hempton has dedicated most of his life to listen and record the sounds of nature, an endangered soundscape that he has sworn to protect as a recordist and an activist. Part of his life work has been made available for the rest of the sound community […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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